Oh, I've heard all the arguments. That I needed to discover them when I was a student; that it's all about the setting - I need to sit down, preferably on a bean bag in a dimly lit room with a lava lamp, and listen to a whole album in one go; that the Gilmour stuff is rubbish, I need to get into the Waters stuff; that the Waters and Gilmour stuff is rubbish, I need to get into the Barrett stuff...
Talking of spiritual paths, I was reading a blog post by another teacher the other day who was basically saying that doing yoga for mental or physical well-being was akin to putting square pegs in round holes. I was like, 'Eh? Really?' I was thinking that's exactly why I started Yoga - to sort out my mind.
In Oct 1967, a 16 date UK package tour with Jimi Hendrix, Pink Floyd, The Move, Nice and Amen Corner kicked off at the Royal Albert Hall, London... can you imagine such a tour, taking place today? No is the answer. Which is a shame, what a great way to see five or six happening acts, all on the same night.
What vexes me most is not that these artists are indolently committing crimes against the English language, but that they are wasting a hallowed opportunity. Words add depth, colour and personality to a song. In fact, they become even more powerful when projected onto a musical backdrop, which is why I shudder when lyricists make a conscious decision to rhyme nonsensical syllables.