Muddy ploughed fields, crisp clear mornings and all the birds of Oxfordshire and Gloucestershire - a profound love affair with the English countryside fuelled writer Edward Thomas to produce a staggering 140 poems in the three years of his short-lived career.
Described by Poet Laureate Ted Hughes as "the father of us all", Thomas was killed in 1917 at the Battle of Arras in the First World War, leaving the shadow of a great poet who may have been greater still given the time to flourish.
Bafta-winning playwright Nick Dear brings the fractious story of Edward Thomas to the Almedia stage in The Dark Earth and the Light Sky.
Fresh from the thundering success of Laura Wade's Posh, Pip Carter steps into Thomas' walking shoes, bringing us a man who doubted his abilities to the point of persecution, caught in a triangular relationship between his doting wife and the platonic friendship with American poet Robert Frost (Shaun Dooley).
As a repressed and frustrated writer who can only find peace on the solitary country road, Carter gives a measured performance of British stoicism and self-deprecating english charm, punctuated with the jagged edge of Thomas' bouts of depression.
Aside from a scene in which Carter toys with a live revolver in one hand whilst holding his sleeping baby in the other, the play shows few glimpses of the depressive poet. There are sulks and barbed comments, but less drama than expected from a man with a suicidal past.
Instead, the drama comes from the gripping presence of Hattie Morahan as Edward's plain-speaking wife, Helen.
Batting off the emotional neglect of her husband with determined vigour, Morahan offers an engaging emotional range. Monologues to the audience are filled with nostalgic weariness and dialogue with characters reveal a simmering indignation, taking form in many ways, such as dancing spontaneously to gain her husband's attention.
A perfectly pitched scene sees Helen meeting Frost eleven years after Edward's death. Having suffered greatly in grief, Helen has also been ostracised because of her scandalous warts and all biography of her late husband. Morahan's outpouring of desperate fury is electric as she confronts Frost and defends her writing, declaring "that was how it was", repeating the phrase incessantly - a fitting dedication to the name of her book: As It Was.
Morahan has helped break the monopoly held by the National Theatre and Royal Court over the Evening Standard theatre awards, with a shortlisted best actress nomination for the Young Vic's A Doll's House.
Like her portrayal of Nora in Ibsen's classic, it is clear how utterly determined Morahan is to make a character her own - the actress gives The Dark Earth and the Light Sky an emotionally charged edge - a fitting dedication to her character's deep love for the late Edward Thomas.
The Dark Earth and the Light Sky is running at the Almeida Theatre, London, 13 Nov 2012 - 12 Jan 2013.
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Written by: Matthew Tucker
The Dark Earth and the Light Sky, Almeida Theatre
4 / 5 stars