Where to begin when you don't know where to begin... Simply put, the Abstract Expressionism show at the Royal Academy of Arts is extraordinary, utterly extraordinary. Wandering around these large galleries - the beautiful high-ceilinged walls smothered, crammed to capacity, with these vast revolutionary canvases - I felt both lost for words and completely overwhelmed.
Who was Giorgione? After all, he's hardly a household name and yet the Royal Academy has opened a new exhibition dedicated to uncovering more about him and his work. Well, this is most definitely a welcome exhibition because Giorgione was a brilliant artist in 16th Century Venice, a prodigy who died too young and whose full potential, sadly, went unfulfilled.
New year: it's the time for re-invention, re-discovery and resolutions. One of our resolutions is always to do more, learn more, see more. What better time than the New Year to take stock, to reflect, and to look forward. This is what we, at London Art Studies, are looking forward to in London in 2016.
Richard Diebenkorn is celebrated as a post-war Master in his native United States - Obama even selected one of his works for the private residence of the White House. In Europe though, he's not that well-known. In fact, the only major solo exhibition of his work was at the Whitechapel Gallery back in 1991.
There have been some fantastic art exhibitions this year and the popularity of box office draws such as Rembrandt and Matisse warms the heart. However as I compiled this list, I couldn't help but notice that the list is dominated by white men - a sore reminder that diversity and representation remains a challenge that must be addressed...
Moroni is widely regarded as one of the finest painters of the 16th century, and a critical innovator in portraiture, in particular. Yet his name is not widely known by the general public so this new exhibition at the Royal Academy, the first ever large-scale display of his work outside Italy, is an important contribution in correcting this.
Anselm Kiefer is widely considered to be the most influential artist working today. However he is not a household name. With this in mind, this new exhibition at the Royal Academy succeeds in not only showcasing a broad range of Kiefer's extraordinary work, but also in bringing much depth and context to the pieces on show.
You'd expect woodcuts to be quite dry, with the images rigid and lacking in artistic expression but not at all. The technical expertise in the 150 prints the RA has brought together is such that there is great detail in these prints with bodies outlined in curving sculpting lines, and cross-hatchings used for shadow.