Ali Stroker’s Tony Win Was Monumental… And A Huge Slap In The Face

The actress’ award was a triumph for disabled representation, but how she received it was a sad reminder of the reality of ableism.
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Ali Stroker made history at the 73rd annual Tony Awards on Sunday night.

The Oklahoma! actress became the first wheelchair user to win a Tony — a huge moment for the disability community in regards to representation.

“This award is for every kid who is watching tonight who has a disability, who has a limitation or a challenge, who has been waiting to see themselves represented in this arena — you are,” Ali said as she held the trophy for her role as Ado Annie in the Broadway revival.

But no ramp, temporary or permanent, had been built from the audience seats to the stage at New York’s Radio City Music Hall.

So the 31-year-old actress had to wait in the wings in case she won. She was conveniently backstage because the organizers of the awards show had Ali perform her saucy rendition of the song I Cain’t Say No from Oklahoma! shortly before the nominees for her category were called.

The awards show pulled off this little stunt in order for Stroker to receive her individual Tony. But due to the lack of accessibility, she was not on stage with the rest of the Oklahoma! cast and crew when the show won the award for Best Revival of a Musical.

Producer Eva Price and most of the cast and crew of “Oklahoma!” accept the award for Best Revival of a Musical during the 2019 Tony Awards.
Producer Eva Price and most of the cast and crew of “Oklahoma!” accept the award for Best Revival of a Musical during the 2019 Tony Awards.
Theo Wargo via Getty Images

Both of those moments were a stark reminder to the disability community, and its advocates, that ableism, or discrimination against those who are disabled, is still rampant in today’s society — despite Stroker’s history-making win.

And many voiced their disappointment and concern on Twitter:

After her win, Ali spoke to reporters about the lack of accessibility on Broadway. She said that most of the theatres’ backstage areas are not generally accessible to performers with disabilities.

“I would ask theatre owners and producers to really look into how they can begin to make the backstage accessible so that performers with disabilities can get around,” she said, per The New York Times.

Broadway does have a history of being inaccessible even to audience members with disabilities.

In 2017, Mark Lasser of Denver, who is blind, sued the popular musical Hamilton due to its lack of accessibility. When he bought the pricy tickets to the Broadway smash hit, Mark had hoped that the theatre would provide him with audio description, or a headset that would describe the actions on stage in real time while he was in the audience.

Mark got a rude awakening when he showed up to the theatre with his wife to discover that Hamilton did not provide this particular service.

And although the Shubert Organization, which owns many of the theatres in the Broadway district, now offers many accessibility options for those with disabilities, the slap in the face Ali received at the Tony Awards is a reminder that society still treats the needs — and civil rights — of people with disabilities as an afterthought.

HuffPost reached out to the 2019 Tony Awards and Ali for comment, but did not receive immediate responses.

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