We marvelled at the glorious Duomo in the central square, the second largest cathedral in Italy after St Peter's in Rome, galloped through as many museums as possible and admired the chic shops and their stylish Milanese clientele. Even the dogs were high fashion with brightly coloured jumpers, coats and matching backpacks.
Ordinarily when you look at a photo your mind fills in an approximation of what is not seen from the photographer's viewpoint. In Chloe Rosser's images, heads and limbs are missing at such impossible angles that the mind is tricked into the feeling that there is nothing else beyond what is visible. Each body's connection with humanity is severed.
The real attack on French culture here is the parliament's decision to reinforce the state of emergency, by no way a banner for tourists or French citizens alike. We look at France as the birthplace of modern democracy, and the country's founding call for liberté is something we should not take for granted the world over.
Anyone who reads my column here in the Huff knows I regularly sing the praises of the Disability Arts Scene. I feel it is a place where art surpasses any constraints of impairment and explodes any stereotypes of disability with creativity and output that challenges the mainstream art world to achieve anywhere near it's standard.
This would inform people, spark an interest from a young age, and give a scope for creativity that is not currently present, without forcing people to solely study fashion. I am not putting other arts down, I am trying to bring fashion up to a similar position, and it is my belief that, with these changes in attitude and procedure, this is a very real possibility.
It's not certain how this kind of experiment can be scaled or replicated on a long-term basis. But I could see students transforming before my eyes as they saw how their practices could make an impact on society. Yes, they learned skills that will help them get a job, but they also learned to care about each other and the world. Now that's worth it.
This is a question that has been instigated by the recent furore over the dearth of black representation at the 2016 Oscars with the absence of a single nomination in any category. But this crisis is not confined to film and TV, it also extends to the arts. Why is this? It can't be because of lack of talent, will or ambition, there is plenty out there.
New year: it's the time for re-invention, re-discovery and resolutions. One of our resolutions is always to do more, learn more, see more. What better time than the New Year to take stock, to reflect, and to look forward. This is what we, at London Art Studies, are looking forward to in London in 2016.