I have long been an admirer of the work of the Cartier Foundation. Now as we are able to look back at thirty years of this most inspired organisation, we can truly see the incredible vision of its founder Alain Dominique Perrin, its director Hervé Chandez and the hard work of my dear (and sadly departed) friend Sylvie Dumas who for many years provided the financial structure to enable the foundation to commission art without any boundaries.
The success of Mosse's work exposes the shortcomings of other war photography and documentary photography today: much of it fails to overcome the widespread desensitisation of the viewing public. His undulating vermillion landscapes and conspicuous magenta figures are not rose-tinted depictions, so to speak: they do not make light of the grave situation.
Tate Modern's major exhibition, Henri Matisse: The Cut-Outs, is the most comprehensive exhibition ever devoted to the artist's paper cut-outs. It brings together around 130 works, many seen together for the first time, in a ground-breaking reassessment of Matisse's colourful and innovative final works.
Each year curator Justin Hammond travels the length and breadth of the UK visiting art schools and colleges and attending their degree shows. Through his observations, along with recommendations from tutors and those in the art world, his task is to choose 40 of those he considers to be the most promising young talent for inclusion in the annual Catlin Guide.
At the Crafts Council we believe that it's absolutely vital that we not only have a strong relationship with the craft organisations of other nations but that we also make sure we're exporting the products, skills and ideas of the best of the UK's makers to new places, opening up new opportunities and showing the world quite how good we are at making things.
"In Belfast in the early '70s things were tricky. When I asked my local green grocer if I could do some paintings for his window for Christmas, he paid me in vegetables. The next year when I did the butcher's, he paid me in sausages. By the time I was 13, I realised I had a business. So I started charging."
Margate has been undergoing a transformation in recent years from a drab seaside resort to a bustling art and food destination. The town has had artistic connections since landscape painter J.M.W. Turner, who produced over 100 works while he lived there, declared that the skies found in Margate were the most beautiful in Europe.
Attacking me and accusing me of hating and killing animals is utterly ridiculous. I absolutely adore animals, but at the end of the day, a dead mouse is unused biological matter, molecules in a pile, and I have no problems breathing new life into it creating something that gets people conversing about life, death and art.