Frieze is arriving and the art world seems set to eats its own tail. Artists are painfully aware that the process of gentrification, where local residents are priced out of their area begins with them.
London in the fall is a crowded schedule for art lovers, not only are the galleries returning from the long summer break, they are preparing themselves for the onslaught of art fairs and openings at major institutions. This year to beat the rush a myriad of private galleries are opening their shows a full week before the fairs, as well as at many public bodies.
Housed in the tower of one of Amsterdam's medieval buildings is something quite unexpected--a lab full of machines, incubators, petri dishes, and microbes. It might sound like the beginning of a gothic novel, but this is just where Waag Society's open wetlab--an initiative that strives to make biotechnology more accessible--happens to operate.
I am an artist from Finland, using clothes as my main material. I often use old clothes that already had a previous life. Whether it's true or not, I feel that a little bit of the energy of the person who wore the garment remains there, absorbed in the cloth, and then becomes a part of my work, giving energy to the artwork.
The residencies are based in the dynamic area of Braamfontein, a hub for art, music and good food. Earlier that day I'd taken part in a 'market hack' just behind Neighbourgoods Market, with street stalls, demonstrations and activities for public audiences to try cutting-edge, creative electronic and design tools.