Fifty one years ago, Blowin' In The Wind was adopted as some kind of clarion call for an energetic, shackled and questioning youth to stop relying on their elders for answers, to open their eyes to the unfairness around them, to strive to find a different path at the end of which truths would miraculously materialise.
Those who dismiss the fashion world as a vapid, ivory tower for people whose mouths are made for pouting and air-kissing (rather than eating) and models with cold dead eyes of sharks and the personality of a flannel, must visit the spectacular Somerset House exhibition, celebrating the late Isabella Blow.
Three great British directors Christopher Nolan, Mike Leigh and Ken Loach explore the relationship between filmmaking and painting for Tate's new video series. Find out which artist inspired The Joker's smeared make-up in The Dark Knight, how Turner's sketches are being brought to the big screen, and what the camera can learn from Hogarth...
The main exhibition is in the PM Gallery, a 1940s extension to Soane's building (he radically remodelled the original himself in 1800) and presents images of other museum spaces and the visitors who happen to be in them, interacting with art objects as diverse as Egyptian tombs and the most up to date contemporary art.
Among nature's countless gifts are flowers: in the simple grace of their petals, countless souls have been moved to create. But flowers speak of far more than mere beauty. As the art of ages keenly illustrates, the universal language of flowers has long been used to communicate deeper messages, instantly and wordlessly.
Ever wondered what a JMW Turner seascape painting might taste like? Fishy, if you ask chef Rachel Khoo. Or how a Frances Bacon triptych might sound - dark and moodily rockin', if you ask the band Everything Everything. This might sound like some strange experiment in synaesthesia; in fact, its for a video series I've been making to mark the launch of the new Tate Britain...
This week, Tate's original building re-opens after a £45million face-lift. Tate Britain is glamorous once more, a temple of cool and contemplation. Tate was a gift to the public from Henry Tate, a sugar baron. He donated his great collection of British art to the nation as well as £110,000 to pay for a new gallery on condition that the state would look after it.
We will continue our cultural relations work well beyond the planned withdrawal of NATO forces from Afghanistan next year; because we firmly believe that, along with the promotion of governance, security and development, the promotion of culture is a critical fourth foundation of Afghanistan's future.
Last Friday evening we launched 'Apocalypse Boutique' - fantastically varied series of rare screen-prints, linoprints, etchings and original canvases by British artist Stanley Donwood.