The mere act of creating, designing and putting something on paper is incredibly complex. You touch emotions, you practice fine motor skills, planning, imagination. Some amatuer artists produce incredibly accomplished pieces, but that's not the point really. Scribbles can and do have the same dignity and importance.
Artist Caroline Jane Harris is inspired by the beauty of nature. "It is humans' relationship with nature" she explains, "my work is about traditional skills and modern technology used together; how they contrast each other and complement each other at the same time, which to me reflects our relationship with nature".
Just recovering from painful times, uncertain about the future and with a clear understanding that a new Socio-economical system need to be created to avoid making the same mistake? No, I am not talking about the current times, I am describing how the World felt after the Second World War and how the artists responded to it in the 50's and 60's
Belgian- born designer Jonathan Riss has always had a proclivity for beautiful design and intricate detail. At 18, he had wanted to become an architect and contemplated on a move to New York. Ever the artistic nomad though, he disliked the thought of being geographically static while going through formal education. And so he travelled- to learn.
Breuer-Weil's pessimistic take on the Suburb, and the world beyond, looms large in many of his gargantuan works, and will strike a chord with anyone disturbed by the precarious nature of modern life and the self-centred attitudes of those at the helm of both national and supra-national institutions.
Just in case you didn't know already, it's the 50th anniversary of The Rolling Stones this month, and there are a series of events happening in and around london to mark the music milestone, such as 'The Rolling Stones: 50', a photo exhibition which opens at London's Somerset House on July 13th and runs until August 27th.