Grand Theft Auto 5 launches in but a few days offering everything from a game of golf to deep see exploration with a lot of killing in-between. This reviewer also suspects a few casual nods will be given to that TV phenomena Breaking Bad, and I for one can't wait to run my own meth lab... Again.
We've been making newsgames with the aim of engaging people with real world issues such as the war in Syria and the War on Drugs in Mexico. But games have become a diverse tool that is impacting on more that just the political arena - they are also going for the personal too.
Hello Lamp Post asked Bristolians to look at their city anew by communicating with lamp posts, post boxes and other familiar street furniture. By texting hello and the unique code found on each object.
Last month at Gamescom, I managed to sit down with Jeremy Gaffney from Carbine Studios to get an update on what's happening with their forthcoming online game WildStar.
With the growth in popularity of social platforms and the ever increasing integration of social media into our internet behaviour, consumers are starting to expect the ability to 'share' everything, including video games. As the industry continues to evolve so too does consumer demand and expectations...
Since the PS3 and Xbox 360 the entertainment value from games consoles has been increased massively by the flexibility of these machines and their adaptability, from online gaming and buying DLC packs online, to streaming movies through services such as Netflix and Iplayers and watching a host of file formats through external devices.
Whilst I was there I had the opportunity to talk with Morgan Gray who is the Creative Director of The Bureau: XCOM Declassified.
Wonderful 101 may not seem like a hugely significant game to many outside the core gaming set. That it comes from Platinum games and is on the Wii U may be a headline for the gaming faithful but for families these things matter less.
This game carries with it an 18 certificate. If you buy it for little Toby's birthday, you're a moron and deserve to be on the receiving end of whatever influence little Toby takes from his gaming experience.
Whilst I was there I had the opportunity to talk with Erik Caponi who is the Lead Narrative Designer on The Bureau.
Does not the fact that the statement is a command already deconstruct it, pointing to the element within it that undoes its own claim? The intention of the phrase is to allow the child to 'be itself', to act away from the distractions of modern culture
t's an exciting time for the social gaming landscape, and it's fair to say that many operators are still at the beginning of the path to monetisation (and a more immersive experience for all). The key to success here will be personalisation and accounting for cultural preferences, as well as making the payment experience as seamless as possible.
The year is 1962, JFK is President and the Cold War has the nation gripped by fear - but a far more powerful and insidious enemy than communism is threatening America. Known only to a select few, a top-secret government unit called The Bureau begins investigating and concealing a series of mysterious attacks by an otherworldly enemy.
Later this month, 2K Games and 2K Marin will be releasing their highly anticipated new XCOM game The Bureau: XCOM Declassified. I recently visited the 2K Marin studios in San Francisco for a closer look at the game.
KILLER IS DEAD is set in a not-so-distant future similar to (but not the same as) the world we know now. The player takes control of an executioner named Mondo Zappa who wields a Japanese sword in his right hand and brandishes interchangeable weapons in his left artificial arm.
Mobile devices create a personal environment which is then used to take advantage of children. There have been countless scandals with thousands of pounds spent on IAPs. Who buys £69 worth of smurfberries? That is more expensive than a Lego box set which at least has reuse value! Who do companies think pays for IAP - sensible adults, or children?