Last month I wrote a piece entitled 'Leopards And Spots - Why The Labels Never Change'. It was about record companies and the relationship that they have with performers. I compared my own personal experience of record companies and publishers back in the 1970s with the contracts that I now see being offered to MU members on a weekly basis.
Further, the lines between professional musician and skilled amateur are blurring. A year ago punkster Amanda Palmer wrote an extremely eloquent open letter on playing music for free, and working with unpaid musicians. She insists that she wouldn't have been able to achieve the success that she has without having the chance to play unpaid gigs.