If enough people take up the challenge, we might collectively achieve some "crowd-research" which might be useful to those who research the influence of depictions of guns and gun violence. Either way, it might stimulate much-needed debate about the casual normalisation of violence in our society.Whilst we hear much debate about whether gun violence in films or computer games can propel young men or boys (for they are almost always male) to commit mass murder or violence, we rarely hear about the effect of images on film posters.
In days of yore, a good friend of mine sold pirated VHS movies at school. As a 15-year-old it didn't matter that the image was black & white and that the only thing I could really see was the Chinese subtitles; what mattered was that I got to watch a film a week before it was released at the theatres.
Gravity is simply beautiful to look at, a galactic ballet, if you like. Tears float like bubbles and flames curls like tendrils of golden ringlets, and all the while planet Earth is spread out before the astronauts, an awe-inspiring tableaux. Meanwhile, Jonas Cuaron's script ups the ante at every turn, keeping us hooked and fully invested in the story all the way.
We were all so comfortable and content. I hope we can make it a tradition to build a blanket fort because it's simply, well just that, simple. It was such a relaxing, and easy way to spend a day. If you ever find yourself not knowing what to do on a lazy day, I highly suggest finding a couple of blankets, and friends to build your own fort.
"I put up on my blog that I had written a movie script titled LUCIA, and was looking for investors," remarks Pawan. "I gave the audience the option to put in little chunks of money in the project, the idea was to make a good movie which was purely an artist's work and was free of market pressures. I was able to raise 51lakhs (£ 55,584) in just 27 days."
Movies have always cast predictions about the future of science and technology. Sometimes they conclude that the future's bright. Exciting. But most of the time? It's bleak. There's death. Destruction. Misguided Will Smith adaptations of classic novels. The conclusion we can draw from Hollywood about futuristic tech is that it's dark, dangerous and not to be trusted.
The Internship makes reference to Marfan Syndrome, a heart condition, that if not treated effectively can kill and even with preventative methods does not stop death from being a risk. Sadly, they aren't doing it in a positive light. They are doing it in a joking fashion, and while raising awareness of the condition, they are also ultimately making it a laughing stock.
The depiction of Liberace's Las Vegas spectaculars are particularly well done; perfectly capturing the showmanship that made him the world's highest paid entertainer. In the modern age of motion capture and CGI, it is not often that one is baffled by special effects, but the footage of Douglas shredding up the piano keys with a virtuosic Boogey-Woogey is jaw-dropping.
It is Wes Anderson himself who has been a victim of one of a creative highjacking recently by DDB Sydney, for the Australian branch of Expedia. The ad so blatently and unapologetically borrows from Anderson's palette that it ceases to become an advert and more of game to spot which trope of the directors will appear next.