The nominations for the 73rd Tony Awards have been revealed, as the theatre world gets ready to honour Broadway’s best.
Former Hamilton star Brandon Victor Dixon and two-time Tony winner Bebe Neuwirth unveiled the nominees, which celebrate Broadway plays and musicals in the 2018-2019 season, live from the New York Public Library for the Performing Arts at Lincoln Center.
While crowd-pleasing, big-budget musicals like Tootsie and Beetlejuice earned spots in the Best Musical category, the critically acclaimed Hadestown, which puts a new spin on an age-old Greek myth, and Ain’t Too Proud — The Life of the Temptations, a jukebox musical about the famed quintet, led the pack, with 14 and 12 nominations respectively.
With 14 new plays arriving on Broadway this season, the race for Best Play may be the most competitive.
The searing Ferryman from Jez Butterworth about a conflict-ridden Northern Irish family, which scored nine nods across major categories, is an early front-runner.
Aaron Sorkin’s adaptation of To Kill a Mockingbird starring Jeff Daniels also received nine nominations, but was snubbed for Best Play.
Network, the stage adaptation of the 1976 film of the same name starring Bryan Cranston, also was notably absent in the Best Play category.
Politically tinged productions like Heidi Schreck’s What The Constitution Means To Me and Hillary and Clinton, a new play set during the 2008 Democratic presidential primaries, resonated this year.
At last year’s ceremony, The Band’s Visit, the stage adaptation of the film about an Egyptian band that gets lost while traveling through Israel, swept the ceremony with 10 awards, besting blockbuster musicals like Mean Girls and SpongeBob SquarePants.
James Corden will once again serve as host when the 73rd Annual Tony Awards are held at New York’s Radio City Musical Hall on June 9.
Check out the list of nominations below.
Best Musical
“Ain’t Too Proud — The Life and Times of The Temptations”
“Beetlejuice”
“Hadestown”
“The Prom”
“Tootsie”
Best Play
“Choir Boy” by Tarell Alvin McCraney
“The Ferryman” by Jez Butterworth
“Gary: A Sequel to Titus Andronicus” by Taylor Mac
“Ink” by James Graham
“What the Constitution Means to Me” by Heidi Schreck
Best Revival of a Musical
“Kiss Me, Kate”
“Rodgers and Hammerstein’s Oklahoma!”
Best Revival of a Play
“Arthur Miller’s All My Sons”
“The Boys in the Band” by Mart Crowley
“Burn This” by Lanford Wilson
“Torch Song” by Harvey Fierstein
“The Waverly Gallery” by Kenneth Lonergan
Best Performance by an Actor in a Leading Role in a Musical
Brooks Ashmanskas, “The Prom”
Derrick Baskin, “Ain’t Too Proud”
Alex Brightman, “Beetlejuice”
Damon Daunno, “Oklahoma!”
Santino Fontana, “Tootsie”
Best Performance by an Actor in a Leading Role in a Play
Paddy Considine, “The Ferryman”
Bryan Cranston, “Network”
Jeff Daniels, “To Kill a Mockingbird”
Adam Driver, “Burn This”
Jeremy Pope, “Choir Boy”
Best Performance by an Actress in a Leading Role in a Musical
Stephanie J. Block, “The Cher Show”
Caitlin Kinnunen, “The Prom”
Beth Leavel, “The Prom”
Eva Noblezada, “Hadestown”
Kelli O’Hara, “Kiss Me, Kate”
Best Performance by an Actress in a Leading Role in a Play
Annette Bening, “All My Sons”
Laura Donnelly, “The Ferryman”
Elaine May, “The Waverly Gallery”
Janet McTeer, “Bernhardt/Hamlet”
Laurie Metcalf, “Hillary and Clinton”
Heidi Schreck, “What the Constitution Means to Me”
Best Performance by an Actor in a Featured Role in a Musical
Andre De Shields, “Hadestown”
Andy Grotelueschen, “Tootsie”
Patrick Page, “Hadestown”
Jeremy Pope, “Ain’t Too Proud”
Ephraim Sykes, “Ain’t Too Proud”
Best Performance by an Actor in a Featured Role in a Play
Bertie Carvel, “Ink”
Robin de Jesús, “The Boys in the Band”
Gideon Glick, “To Kill a Mockingbird”
Brandon Uranowitz, “Burn This”
Benjamin Walker, “All My Sons”
Best Performance by an Actress in a Featured Role in a Musical
Lilli Cooper, “Tootsie”
Amber Gray, “Hadestown”
Sarah Stiles, “Tootsie”
Ali Stroker, “Oklahoma!”
Mary Testa, “Oklahoma!”
Best Performance by an Actress in a Featured Role in a Play
Fionnula Flanagan, “The Ferryman”
Celia Keenan-Bolger, “To Kill a Mockingbird”
Kristine Nielsen, “Gary: A Sequel to Titus Andronicus”
Julie White, “Gary: A Sequel to Titus Andronicus”
Ruth Wilson, “King Lear”
Best Direction of a Musical
Rachel Chavkin, “Hadestown”
Scott Ellis, “Tootsie”
Daniel Fish, “Oklahoma!”
Des McAnuff, “Ain’t Too Proud”
Casey Nicholaw, “The Prom”
Best Direction of a Play
Rupert Goold, “Ink”
Sam Mendes, “The Ferryman”
Bartlett Sher, “To Kill a Mockingbird”
Ivo van Hove, “Network”
George C. Wolfe, “Gary: A Sequel to Titus Andronicus”
Best Book of a Musical
“Ain’t Too Proud,” Dominique Morisseau
“Beetlejuice,” Scott Brown and Anthony King
“Hadestown,” Anaïs Mitchell
“The Prom,” Bob Martin and Chad Beguelin
“Tootsie,” Robert Horn
Best Original Score (Music and/or Lyrics) Written for the Theatre
“Be More Chill,” Joe Iconis
“Beetlejuice,” Eddie Perfect
“Hadestown,” Anaïs Mitchell
“The Prom,” Matthew Sklar and Chad Beguelin
“To Kill a Mockingbird,” Adam Guettel
“Tootsie,” David Yazbek
Best Choreography
Camille A. Brown, “Choir Boy”
Warren Carlyle, “Kiss Me, Kate”
Denis Jones, “Tootsie”
David Neumann, “Hadestown”
Sergio Trujillo, “Ain’t Too Proud”
Best Orchestrations
Michael Chorney and Todd Sickafoose, “Hadestown”
Larry Hochman, “Kiss Me, Kate”
Daniel Kluger, “Oklahoma!”
Simon Hale, “Tootsie”
Harold Wheeler, “Ain’t Too Proud”
Best Scenic Design of a Musical
Robert Brill and Peter Nigrini, “Ain’t Too Proud”
Peter England, “King Kong”
Rachel Hauck, “Hadestown”
Laura Jellinek, “Oklahoma!”
David Korins, “Beetlejuice”
Best Scenic Design of a Play
Miriam Buether, “To Kill a Mockingbird”
Bunny Christie, “Ink”
Rob Howell, “The Ferryman”
Santo Loquasto, “Gary: A Sequel to Titus Andronicus”
Jan Versweyveld, “Network”
Best Costume Design of a Play
Rob Howell, “The Ferryman”
Toni-Leslie James, “Bernhardt/Hamlet”
Clint Ramos, “Torch Song”
Ann Roth, “Gary: A Sequel to Titus Andronicus”
Ann Roth, “To Kill a Mockingbird”
Best Costume Design of a Musical
Michael Krass, “Hadestown”
William Ivey Long, “Beetlejuice”
William Ivey Long, “Tootsie”
Bob Mackie, “The Cher Show”
Paul Tazewell, “Ain’t Too Proud”
Best Sound Design of a Play
Adam Cork, “Ink”
Scott Lehrer, “To Kill a Mockingbird”
Fitz Patton, “Choir Boy”
Nick Powell, “The Ferryman”
Eric Sleichim, “Network”
Best Sound Design of a Musical
Peter Hylenski, “Beetlejuice”
Peter Hylenski, “King Kong”
Steve Canyon Kennedy, “Ain’t Too Proud”
Drew Levy, “Oklahoma!”
Nevin Steinberg and Jessica Paz, “Hadestown”
Best Lighting Design of a Play
Neil Austin, “Ink”
Jules Fisher and Peggy Eisenhauer, “Gary: A Sequel to Titus Andronicus”
Peter Mumford, “The Ferryman”
Jennifer Tipton, “To Kill a Mockingbird”
Jan Versweyveld and Tal Yarden, “Network”
Best Lighting Design of a Musical
Kevin Adams, “The Cher Show”
Howell Binkley, “Ain’t Too Proud”
Bradley King, “Hadestown”
Peter Mumford, “King Kong”
Kenneth Posner and Peter Nigrini, “Beetlejuice”
