Plays such as Michael Frayn's Copenhagen, my Oppenheimer or Complicité's A Disappearing Number are not truth - they are not documentary. What they do is introduce a scientific figure or a scientific idea, tether it to the structures of story and drama, and introduce an otherwise unknown aspect of history to a new audience.
Four salient reasons to resist the rise of trigger warnings in higher education and general usage. For the sake of resisting censorship by stealth, for the sake of artistic integrity, for the sake of maintaining serious intellectual openness in higher education, and for the sake of those suffering from trauma themselves, I beg you - don't get too trigger-happy.
Santiago Taccetti likes to do things the wrong way. In fact, he has literally made an art of it. His new and first solo exhibition in the UK consists of a series of two-metre high white paintings. But far from manipulating the paint on the canvas in the way painters are supposed to do, Taccetti has produced paintings without paint.
Richard Diebenkorn is celebrated as a post-war Master in his native United States - Obama even selected one of his works for the private residence of the White House. In Europe though, he's not that well-known. In fact, the only major solo exhibition of his work was at the Whitechapel Gallery back in 1991.
IdeasTap provides funding, career opportunities and mentoring to a network of nearly 200,000 young people across the creative professions. The charity has given away more than £2.3 million to around 62,000 beneficiaries, helping filmmakers, visual artists, designers, theatremakers, writers, actors and a long list of other creative folk get their careers off the ground.