Week is in full swing by now and before artgoers gulp down Prosecco and canapes, an other substances, as if there was no tomorrow, it might be a good idea to stop and rethink that things need to change and an honest debate is long due. Innocent victims deserve it.
Whether you are going to spend this week hobnobbing and chugging champagne in Mayfair or checking out street art at Moniker in Brick Lane this is when the art world descends on London and when London's art scene shows the world exactly what it is made of... So, if you can, get out there and experience it!
This year's BBC production, A Poet in New York, felt like a sentimental backwash of Titanic proportions; the recent BBC Wales remake of Under Milk Wood also fell unfortunately short, so short that one Twitter commentator quipped it felt like an advert for Welsh lamb.
Earlier this year, while on a guided tour of the Grand Mosque in Mecca, Oxford-based artist Saad Qureshi noticed a number of beautiful and melodious birds flying around the building.
Larraz encourages his observers to decode the art that stands before their eyes, believing it is the artist whom should be "revealing that which reality conceals". In fulfilling this responsibility, Larraz experiments with styles to create works that are incredibly postmodern.
The Palazzo Venezia is home to the Rome Biennale. The palazzo is only partially obscured by the fair and its magnificence creeps out at the corners and when you look up the ceilings. The history of any building in Rome is a tapestry of information but this building is both an erstwhile papal residence and was also used by Mussolini, whose presence can be felt everywhere.
Shakespeare's Henry IV Parts I &II have been compressed and transformed into a two-hour prison drama with an all-female cast in this bold production at the Donmar Warehouse.
Barry Martin, a Goldsmiths graduate with artworks in the Tate collection, and Samir Ceric, the director of the Debut Contemporary art gallery in Notting Hill, decided to join forces to highlight an issue that unfortunately is still quite relevant in a society in the 21st Century
Twitter, like blogging, is essential to any book marketing campaign these days. It helps you connect with your peers, share important information and it gives you a voice and a profile out there in the busy world of book publishing. Like many writers - especially those from traditional publishing - I was a complete Twitter-phobe.
The star attraction is Kristin Scott Thomas in the central role and she certainly is a commanding presence on the stage. Her Electra is full of anger and bile but unfortunately not much else. She is bitingly caustic throughout the show, never showing any doubt over her determination to have her mother killed.
And then there was the ghost of Diana, wafting through the stage as delicately as like a drunk City worker on the train out to the suburbs. Intended as a surprise - maybe? - she was about as expected as regret after a one-night stand, and spoke in a faux-ghost voice that make several in the audience shift uneasily rather than lean forward with intrigue.
Having finished on the 29 September, Recon included a range of newly commissioned artworks that fostered collaboration between artists and musicians.
Pop-up has become something which is synonymous with urban cool, from restaurants to clothing boutiques, they are prime social media fodder and a notch on your "this great little place I know" list. But what if we could take the pop-up model and make it something so much more within the cultural sector?
It is a great day when a film such as this, a key and significant film, fruit of a wonderful golden passage in film-making history, is brought fully to light. It is a great day when credits expunged by the forces of darkness are restored to their proper place and talent be hailed as they should be
Of his new novel Arnold Drive, Hugh Cornwell says "it's like Being There meets Forrest Gump meets Father Ted. It's a Dickensian tale, a black comedy."
But Paris is not just about the Biennale - the whole city of art and design sparkles in the early autumn sun and shows proliferate. My friend Sylvain, who has an exquisite gallery on the Quai Voltaire, is putting his best foot forward with a gathering of Meissen porcelain.