Clarkson would have appealed to Francois Rabelais, the humanist scholar of 16th Century France whose grotesque satire was deeply offensive, despite his being a man of the cloth. The most celebrated Rabelaisian writing focused on the Carnival which perpetuated the medieval traditions of the Feast of Fools in which society briefly revelled in anarchic chaos.
Knight Senior gained his Diploma from the National Association of Goldsmiths in 1960/61. Here's an extract our chat about his world of watchmaking."My close-up eyesight is rubbish and I don't want a really expensive piece of electronics on my wrist that I cannot see. If it needs touching or poking on something so tiny, I'd get frustrated."
This book is not perfect, certainly, and I would advise anyone short on time to leave out the final fifty pages entirely - nothing of any great value would be missed. But, regardless of these criticisms, any work of historical theory which is written as well as this one is certainly worth looking at and - maybe with caution, in this particular case - taking to heart.
I asked the organisers if they knew anything about the history of the place and it would appear that a local woman called Susan had simply decided one day that the derelict barn would make for an excellent arts space and had proceeded to bully the local community and council until her idea became a reality.
It's how and why the memories of one of the darkest moments in human history should be kept alive that formed the theme of the film. And during the months making it I was struck by the myriad of ways those who suffered the atrocities of the Holocaust have chosen to pass their memories on. How they refuse to allow the echo of what they witnessed fade.