This book is not perfect, certainly, and I would advise anyone short on time to leave out the final fifty pages entirely - nothing of any great value would be missed. But, regardless of these criticisms, any work of historical theory which is written as well as this one is certainly worth looking at and - maybe with caution, in this particular case - taking to heart.
I asked the organisers if they knew anything about the history of the place and it would appear that a local woman called Susan had simply decided one day that the derelict barn would make for an excellent arts space and had proceeded to bully the local community and council until her idea became a reality.
It's how and why the memories of one of the darkest moments in human history should be kept alive that formed the theme of the film. And during the months making it I was struck by the myriad of ways those who suffered the atrocities of the Holocaust have chosen to pass their memories on. How they refuse to allow the echo of what they witnessed fade.
Since 1974, there have been very few clues - whatsoever - about what happened to Lord Lucan. But the very few clues there have been all indicate that Lord Lucan did indeed manage to flee the country... And started up a new life in Africa or perhaps India... And could quite easily be celebrating his 80th birthday this week...