With great feminist knowledge, comes great responsibility. No longer will subliminal sexism go unnoticed in your favourite TV series, no longer can you re-watch childhood movies with ignorance at their underlying misogyny and no longer can you appreciate a cheeky rom-com without feeling like you've betrayed your own kind.
While Room has the makings of a terrifyingly real horror story or psychological thriller, director Lenny Abrahamson refuses to diminish or cheapen Donoghue's life-affirming story with gimmicks or horror-movie-frights, and instead creates a heart-breaking, and paradoxically heart-warming, masterpiece of cinema which tells a story of human spirit, hope and the incomparable love between a mother and her child.
He will go on to see things we wouldn't believe. Attack ships on fire off the shoulder of Orion. He'll watch C beams glitter in the dark near the Tannhauser Gate. And he will go on to give Blade Runner's Rick Deckard the biggest challenge of his life. Friday, January 8, 2016 marks Roy Batty's incept date, or actual birth day as any fan of Ridley Scott's 1982 sci-fi classic will tell you.
Intrigued by the headlines declaring Star Wars record-breaking figures (more than $1 billion and counting worldwide), I took myself off to see the film at my local cinema. I wish I hadn't bothered and saved myself ten pounds. What's more, I now have no intention of seeing any more instalments in the franchise, nor will I pay to see another movie by director JJ Abrams after this.
Behind every sequel hungry, franchise captive in the picture house queue who's had to remortgage their house for a bag of stale popcorn, stands an overly critical cinephile with a yearning for something better and a secret bag of supermarket-bought peanut M&Ms in his pocket. This is a list for the latter.
Most of these extraneous activities are well documented, but they're worth repeating in the vague hope people decide that maybe they should try and avoid partaking in them, if only to be considerate enough to those in the auditorium who are there to, and I'll whisper this so as not annoy anyone, enjoy the BLOODY PICTURE.
"To infinity and beyond!" It's hard to believe that it's 20 years since Buzz Lightyear first crashed onto our cinema screens and uttered that iconic phrase. But here we are two decades, three films and 279 minutes later, and the words today seem more reflective of Toy Story's lasting influence on film and animation than its space ranger's complete lack of self-awareness.