This article contains serious spoilers, and probably won't make much sense if you haven't already watched the show to its conclusion. Twin Peaks. T...
Director Rick Famuyiwa wears his influences very heavily on his sleeve. The Breakfast Club even receives a namecheck here (Malcolm's final speech will remind viewers of the closing soliloquy given by Brian "The Brain" in John Hughes' classic movie). And there is more than a passing nod to Spike Lee's films Do The Right Thing and School Daze.
It is a deeply depressing tale. The young boy and his family are first seen sheltering in a village some way away from the coup which is destroying the government forces of their unnamed state. Their hopes of avoiding the conflict between government and rebel forces are ruined when government troops arrive and start slaughtering those who they believe are supporting the coup...
The N.W.A and West Coast rap story is so remarkable that it's unlikely that Straight Outta Compton will be the final cinematic word on the story - John Singleton has long been mooted to be working on a Tupac biopic - but as a first run at its subject matter, it's a riveting attempt that overcomes some lackadaisical writing and character development to deliver the knockout blows where it truly matters.
Boy Meets Girl felt very much as though the episode had been built (very hurriedly) around a ten-minute play.
Paul Hollywood sets a technical challenge of a dozen gluten-free pitta breads. In fact, it's as if he doesn't realise that a prime-time television show needs a bit more spectacle than some amateur bakers staring at a proving draw before turning out some dull, oval flatbreads.
Denise Gough is superb as Emma, a woman battling herself and everyone else as she tries to navigate a path through rehab and out the other side. Emma is in a bad way - her addictions are so profound that they are sabotaging her career, and they've already ruined her relationship with her family.
This one-off drama saw national treasure Sir Lenny Henry turn his hand to scriptwriting for a fictionalised account of his rise to fame, that saw him go from from working-class teen in 1970s Dudley to national TV star.
Up or down? This is an important question that needs to be asked before you move in with a bloke. And when that bloke is your boyfriend then things ...
I went to Reading Festival this weekend. I've been going virtually every year since my first time in 1989, apart from when I got banned, which is a long story (yes, I really am that old and yes, I really did get banned). And you know what? It was still absolutely brilliant.
Bloomsbury have published the much awaited new novel by William Boyd. I've had a copy of Sweet Caress for weeks but was waiting until closer to the publication date to write this review. Trouble is, I was told the 10th September. And they released it on August 27th. And now, of course, you've all read it, haven't you?!
Innuendo of the week: "Right, let's get into the bottom!" Judge Paul is VERY keen to taste contestant Paul's cheesecake. I told you there was a bromance.
Benedict's Hamlet is sarcastic, mean, aloof to his girlfriend and vicious to his mother. He also hams up the supposed mental illness for all its worth, causing much laughter in the auditorium as his Hamlet mocks himself up as a toy soldier brought to life just to confuse and baffle those around him.
Me and golf? There's nothing there, no history (unless you allow encounters when the term was hyphenated with "mini" or "crazy" at the front of it). But I found the chance to try out the Peninsular range with a complimentary quickie lesson to be a lot of fun.
Bread week starts with plenty of shots of our intrepid tensome looking all kinds of worried, and it's no surprise. The prospect of a weekend of yeast-based fun means Paul Hollywood gets the opportunity do what he loves the most: prowl around Britain's most famous tent and judge amateurs while his smug-o-meter goes off the scale.
Audrey Hepburn: Portraits of an Icon is a major new photography exhibition at the National Portrait Gallery that truly spans the life of this enduring star, from her early years in the Netherlands, through her years in London on the West End stage and then on to the height of her fame as an actress and fashion inspiration, and her later philanthropic work.