The referendum invited each of us to define our identity as either predominantly European or British: are we In, or are we Out. Short and simple, with no room for subtleties.
Of course, the United Kingdom is not Elsa, the queen in Disney's Frozen. However several similarities can be drawn between the United Kingdom's choice over leaving the European Union and Elsa's flight from the kingdom of Arendelle.
People often say to me 'I am living!' Yes, we are all breathing, waking up in the morning and going to work and doing our best to get by. Yet, I wonder how many of us are merely existing. There is a vast difference between the two. Whilst this is something I have often pondered on (especially since the sudden passing of my mother), this film really brought it home to me.
Gianfranco Rosi's camera lays witness to this European refugee crisis through two locals, 12-year-old Samuele who loves to hunt, shoot his slingshot and mess around and Dr. Pietro Bartolo, still compassionate and caring after treating refugees for 25 years.
The film is a fly on the wall documentary of three ordinary young gay men who live in the extra-ordinary world that is the bifurcated society of Tel-Aviv.
When Shane Black co wrote and directed The Nice Guys, he must have been buoyant from the success of Iron Man 3 and thought Russell Crowe and Ryan Gosling would be perfect as the 1970s detectives trying to crack the mystery of a dead porn star. Alas, they aren't.
If the Coen's are taking such a hit, then where does that leave something like Miike Takeshi's new movie? The next David Lynch? Though apart from consigning cult films back to the straight-to-DVD market, the bigger tragedy lies in the closure of many local picture houses.
Shane Black's 'The Nice Guys' is a zany, free-for-all, private eye odd couple, crazy comedy caper with great one-liners.
With great feminist knowledge, comes great responsibility. No longer will subliminal sexism go unnoticed in your favourite TV series, no longer can you re-watch childhood movies with ignorance at their underlying misogyny and no longer can you appreciate a cheeky rom-com without feeling like you've betrayed your own kind.
Throughout the comments sections of blogs and articles explaining disabled people's views are non-disabled people telling us we're wrong. Not just about the film but pretty much whatever we've said.
Fleming was born into a world of privilege, something often reflected in his books, and some of his views are outdated. But his writing is also vivid, full of imagination and insights gained from his time in naval intelligence. And even at its most fantastic his writing seems grounded in reality.
Given the unreal success of Tim Burton's Alice in Wonderland, it was inevitable, I suppose, that Disney would head straight to its sequel, Through the Looking Glass and What Alice Found There. But Alice Through the Looking Glass is a heartless adaptation. The poignancy of Lewis Carroll's moral lesson on how precious time is becomes lost in a CGI-fest that's all spectacle and no soul.
It breaks my heart that in the 21st Century an author and publishing company, then followed by an entire movie company, producer, director and cast, feel that the world needs this type of story. Don't create a positive exploration of what is truly possible for disabled people, instead let's just go the for the easy stereotype eh?
Optimists are more likely to feel that they can take charge of their health and not just passively slide into old age. They tend to take better care of themselves too. They sleep better, don't drink or smoke too much, exercise regularly and are freer from depression. They live longer and age more gently. It's worth cultivating optimism, believe me.
Let's be honest, it's not an exaggeration to call the creation of Star Wars the single greatest achievement in the history of mankind. So here's 39 gifs in celebration of just how amazing Star Wars is.
Forget the cinema days of dusty fold-away red chairs, flat pepsi, stale popcorn and stained carpets, for there are some far more exciting cinema experiences to be had that are a world away from your local Odeon. No longer does the experience start and end from the trailers to the credits, but from the moment you first walk through the venue doors.