As part of this year's Poetry International festival, London's own Southbank Centre teamed up with the bosses of Filmpoem, PoetryFilm, and the Zebra Poetry Film Festival to launch, a competition for short films based on poems.
Over the past couple of years, films such as Kill List and In Fear have proved the British horror and thriller film industry is alive and well and taking on Hollywood at its own game. I have a feeling Awaiting will soon be joining their ranks.
Divided into six parts, How To Train Your Dragon 2 gives us a tantalising glimpse into the world of a major Hollywood animation. There are stunning pictures of the different featured landscapes - from frozen wastelands, arctic mountains to lush forests and underwater worlds.
Fast-forward three years and director Matt Reeves, best known for Cloverfield, takes over the reigns for the equally clunkily-titled Dawn of the Planet of the Apes. But don't let the title fool you; this is every bit the worthy successor to the original that you could hope for.
Perhaps now more than ever, with cinema ticket prices at astronomic highs, trailers are of increasing importance. For most people, a trailer will be the first impression one gets from a movie... A trailer shouldn't stand outside in its Y-fronts in broad daylight, swinging the script over its head and screaming the ending at the top of its lungs.
I've somehow managed to avoid writing about Frozen up until now. This is incredible considering how much of my life it seems to have taken up recently. Now of course Frozen has a moral message about the importance of family and love and blah blah blah. I'm not too interested by that part of it. So instead here are the really important messages I want my girls to take away from Frozen.
How does it rank against the other three films? Well it's possibly the best TF movie since the 2007 original. Long, yes; occasionally incoherent, (Mark Wahlberg seems to ignore full stops in his script), and it features some awful CGI - the enemy robots are made from gravity-defying blocks that appear to have no weight or heft, making them look like a bad video game cut scene.
I have no doubt we'll soon see lightweight gimbals marketed at consumers who are tired of shaky footage of their holidays or the kids' sports day. When that day comes, people will be able to have high quality, smooth movement to go with their HD cameras.
They were cheesy and full of bright colours, big hair and even bigger shoulder pads, but the 80s were a seminal decade for movies. I know there are some notables that haven't made the cut, but I can't include everything. That is the nature of lists. They start and they end.
It was my second day as a HuffPo intern... I noticed an owl flutter past the window with a letter clutched in its beak. An owl?! During day time?! In Central London?! What more, the letter was addressed to me, 'Miss Vicky Chan, Desk by the Kitchen, Capper Street, London'.
Is there anything to say in drama about politics when all the drama has been carefully squeezed out of real politics?
How much exposition do you need in a film? Those clunky scenes when characters discuss plot, stitching Scene A to Scene B? Obviously film is a visual medium, so in theory nobody needs say anything.
I've made a film called Leave to Remain - an odd title that displays the absurdly English wordplay that describes the 'permission' that the home office grants asylum seekers to give them 'leave' to 'remain' in this country either definitely or indefinitely. It's a fitting title for the wilfully confusing system that determines worthiness for refugee status.
Much has been made of how the two girls in the Zoffany painting inspired my writing of Belle. As important to me was the invisible third person in the painting, the man who put them there in terms of such equality: Lord Chief Justice Lord Mansfield. From the outset I went in search of the historical Lord Mansfield and I found him between two judgements....
The film-makers treat the audience with a degree of respect, and even though many of the gags seemed to go over the heads of many teenage cinema goers, for a fan of meta comedy such as Mike Myers' finest works, this was like catnip.
'Of Horses and Men' is extraordinary, quirky, adventurous and inventive. A tale of love and death, wonderfully absurd and unique...