Alice Rohrwacher's mood piece about a close-knit family of honey producers in the Italian countryside is a beguiling gem. 12-year-old Gelsomina is the eldest of four girls and essentially runs the farm on which they live.
I proudly call myself a feminist, and I am glad the movement has become so popular. But I find it exhausting that you still can't write a flawed female character without people getting up in arms that you are damaging the movement.
So it's official - the next Ghostbusters film will be a reboot and it will star an all female cast. Since the announcement, there has been much consternation online and, of course, the old feminist debate has reared its head again with a backlash against the news. This aside though, what about the merits of the actual reboot itself?
The Imitation Game arrives on these shores with a growing reputation and its status as the festival's opener only heightens expectations further. It tells the story of mathematician genius, Alan Turing (Cumberbatch), who is hired by the British government to crack the coded messages that the German army were supplied with every morning.
Rumours of a Ghostbusters reboot, starring an all-female team, were confirmed on Wednesday when director Paul Feig tweeted: "It's official. I'm making a new Ghostbusters" with screenwriter Katie Leppold. Feig added: "It will star hilarious women. That's who I'm gonna call." But who should he call? Here's a quick list of some of the best candidates.
There were some funny and indeed touching moments in "The Rewrite". I really enjoyed the character of student and "Star Wars" fanatic Billy Frazier (Andrew Keenan-Bolger) and Keith Michael's fellow colleagues Dr. Lerner (J.K. Simmons) and Mary Waldon (Allison Janney).
Last night I attended the premiere of "Love, Rosie" the film adaptation of Cecelia Ahern's 2004 novel "Where Rainbows End." Fans of her previous novel and film "P.S. I Love You" will not be disappointed.
It is a great day when a film such as this, a key and significant film, fruit of a wonderful golden passage in film-making history, is brought fully to light. It is a great day when credits expunged by the forces of darkness are restored to their proper place and talent be hailed as they should be
They say that the jobs you have the most fun on are the ones the public enjoy the least but early word on WSKTOW is very positive and I have to say I'm incredibly proud of it. Of course, making a good film isn't enough. The press usually give my films a mauling but then I don't make them for the press.
On receiving a Fellowship at the BFI, Al Pacino said: "If you put any movie on a big screen nowadays, I'll love it. I mean, who wants to watch movies on iPhones? I'm so tired of that." I too love a good night out at the cinema, but he's wrong. Sorry Mr Pacino but millions of people watch films on their mobile devices worldwide, and Video on Demand (VOD) is their preferred choice.
The 75 minutes epic features the band's catchy tunes, a never before seen interview and exclusive backstage tour footage, all in true high definition and a 5:1 surround sound; "an epic event for Directioners".
It is five years now since Duncan Campbell's Make it New John rolled off the production line. Pristine and gleaming in its 2009 plates, Campbell's film was very much that year's model.
It is hard to describe just how depressing it is to work in an industry where women are reduced constantly to the sum of their parts and not even named. The worrying thing is that this is a common practice.
Before the halfway mark, I considered leaving A Most Wanted Man, Anton Corbijn's tortuous, leaden, almost event-free version of John le Carre's novel. But no, I thought.
The Hundred-Foot Journey is a wonderful film, and a treat for both your tummy and your eyes. Produced by the screen gods that are Steven Spielberg and Oprah Winfrey, it was never going to be a disaster.
Film festivals face an additional hurdle to other types of arts organisations: Netflix and the pre-domination of online movie providers. This means that the traditional ways people access and watch movies has shifted from movie theatres and DVDs to online distribution.