I don't feel like MS is talked about enough. There are people who still think that it's something that only happens once you're older - to people like my mum - but you just have to look at my producer and good friend Beccy to know that's not the case. I think I'm very privileged to have a platform to be able to talk about MS, and if me talking about it in the press makes someone go and get checked, or just generally raises awareness, that's all I can ask for.
In the run up to Christmas we will see more questions asked of the BBC and there will be plenty more speculation about the future broadcasting landscape of the UK. However, one thing is certain this year - radio remains vital in people's lives. Radio showed everyone that it is still the place in the media that is busy with innovation, has famous names people want to talk about and stations that millions of listeners are passionate about.
The key argument seems to be that it these stations lack 'distinctiveness'. The shorthand we often hear - Radios 3 and 4 embody public service broadcasting whilst Radios 1 and 2 are easily replaced by commercial counterparts - is wrong. Take Radio 1. It informs, educates and entertains 10million young listeners a week. It offers daily news (up to six times more news per week than its commercial competitors), regular documentaries (rarely heard on commercial networks) and social action campaigns, highlighting issues like online bullying and teenage suicide. In fact, we estimate around 40% of Radio 1's daytime output is speech - twice as much as comparable commercial outlets.
Sixty-three per cent of Radio 1 listeners over the age of 30 claim to be parents, so there will be a lot of shared listening with teenagers - as any frazzled parent will testify to keeping their offspring happy in the car or kitchen by putting their station of choice on. That issue of shared consumption really messes with judging the success of your brand by average age, just look at the average age of a CBeebies viewer who is 27 years old. So, if you are looking for a better way of assessing whether Radio 1 is successful at attracting 15-29yr olds, maybe you should look at mode, the most common age of a listener, which is 17 years old.
The BBC's head of entertainment Danny Cohen insisted that he will put an end to all-male comedy panel shows, but I'm not entirely convinced its for the right reasons. Will the booking of more female panelists be seen as an honest recognition of the person's ability or simply an attempt to appease a growing movement?
Zane Lowe has, over the last decade, gained a reputation as one of the best known broadcasters in the business. With his distinctive (if opinion-splitting voice) boundless enthusiasm, and easy going nature with guests, he has carved out a niche as the man bands come and see when they touch down in the UK.
Music has always offered the choice between escapism and counterattack. At the time of another Tory meltdown - with draconian benefit cuts and the increasing privatization of the NHS - there is no new sound expressing political protest. Ironically people are voicing their disgust through Judy Garland and a Hollywood escapist fantasy from seven decades ago.
"This ain't the last you've seen of me!" shrieked Kemal Shahin at the cameras, the ninth person to leave the Big Brother House in 2005. Apart from a couple of random cameos, that really was the last we saw of him.
From the streets of Accra to the clubs in Abuja, shops in South Africa to the public transport in Kenya comes a new genre of music that is thumping in clubs worldwide - Afrobeats. If you like music that is different, unique, organic yet modern, with no boundaries, energetic and fused with modern genres without losing its actual identity then you need look no further than Afrobeats. Afrobeats is the sound of young Africa which is growing in popularity through out the UK and the world. The genres name stems Nigeria's Afrobeat which was made popular by Fela Kuti and Tony Allen in the 70's.
But why is it important that we support a wide range of new music? In my opinion, the biggest challenge facing any artist or musician today is simply getting noticed. The internet has democratised music production and distribution and the barrier to entry is now so low that the web is flooded with millions of tracks and thousands of undiscovered artists. Simultaneously, there has been a global decline in the number of trusted guides or filters with sufficient audience to make any difference and without significant gatekeepers operating at mass-market scale music makers will find it harder and harder to emerge beyond their niche.