No one says they want to get rid of the NHS. Everyone praises it, across all parties. It is about as powerful a symbol of goodness that we have, so it would be too dangerous not to. But for decades now, there has nevertheless been a systematic undermining of its core values.
Sukina (my band member) and I often joke about performing to new audiences and how it takes about three songs before they get over the shock of hijabis running across the stage, telling them to throw their peace signs up.
In anticipation for his upcoming solo show 'Monster', Carla Nizzola and I visited Magnus Gjoen's new Hackney studio set up to pick his brain on the inspirations behind his most refined collection to date.
Although two very different shows, with very different atmospheres - the themes raised by each artist successfully manage to complement and elaborate on the work of the other.
Inequality is everywhere at the moment. Scarcely a day goes by without a new take on an age-old story. Inevitably, much of this has focused around money - the super rich, multinationals, bonuses, the wage gap, housing, Swiss bank accounts, tax - all have been under the media spotlight in articles that generate anger and jealousy in equal measure.
If we want to build a safer and more prosperous world, there needs to be a rapid, massive and sustained increase in the number of people who have access to justice.
Why is it that the composers, songwriters and performers who create this independent music are so often perceived as having little in common? Does an upcoming electronica or left field hip-hop artist really have such vastly different career development needs as, for instance, a classically-trained composer?
Lee's appointment came four years after the death of her husband, Aneurin Bevan. Their combined impact on the nation we know now was considerable: between the two of them, they gave us not only the first ever Arts Policy, but also the National Health Service and the Open University.
Flamenco at its best communicates at both visceral and intellectual levels. Good flamenco holds me despite obstructions and irrespective of where I sit. It transports me or absorbs me totally.
The latest boom years in the 90s and early 2000 saw an implosion of artists as mass commodity producers for a new bourgeoisie eager to invest vast amount of money while enjoying their conscious left intact.
Roger's story is full of the things I talk about. His personal story is about resilience, rebuilding your life, being positive and true to yourself. Through understanding his own heritage and discovering his identity he found the value of education.
We need to make more theatre more accessible to more people so that they can understand the experience more easily. If we are going to do this, then surely the heartland of what is termed commercial theatre is not the place to start?
It's interesting what you remember and what you forget about a production. The tension, the gut-wrenching tragedy in the piece is as devastating as when I saw it last year. Yet I'd forgotten how good the sound and lighting design are.
It sometimes feels that a week doesn't pass without a high profile example of business falling short of the standards expected by customers and wider society. In light of the tax controversy involving one of our biggest banks that continues to dominate headlines - this latest poll perhaps comes as no surprise.
Aptly for a story about the trials of staging a Broadway play, the camera work gives the story a very theatrical quality: the transition from scene to scene is handled by plunging a part of the screen into darkness while simultaneously spotlighting another.
I start to think about the writer I want to be. Maybe I'll get really good at Twitter. I could become one of those writers who has their finger on the pulse and can talk about Newsnight and the latest series of Ex on the Beach, Yeah, maybs. I turn the wifi back on.