Anybody building a career anywhere in the arts or communications should have at least a topline look at Twitch with an uncynical eye because nobody - absolutely nobody - is communicating with their fanbase on the same level as these streamers.
Written by Hannah Khalil and directed by Audrey Sheffield, The Scar Test is set within Yarl's Wood and based on verbatim interviews of its former and present detainees. According to the interviews upon which the play is based, much of what goes on at Yarl's Wood is appalling...
Summer in London is all about lazing in parks with an ice cream, heading to festivals and trying to avoid packed Tube journeys where you end up far too close to a perspiring commuter's armpit. It's also full of good opportunities to cool off in an unusual exhibition, finally visit a museum you've never been to, or try out an event you wouldn't normally consider.
I have often thought that among contemporary institutions - prisons and mental hospitals - you will find interesting art. Art often does not recognise the same mental health barriers that we maintain in society.
Barbara Hepworth was inspired by her landscape. She loved how she was carving out stones and wood that nature had already shaped before her. Her pieces are nurturing, soulful, and seem so inextricably linked to the earth. What a shame therefore that the dusty cases and bare walls are a million miles away from the protective landscapes she so admired.
For more than eighty years the British Council has recognised the value of cultural heritage across the globe, so the announcement that the British government will ratify the Hague Convention, as well as committing to a new fund to help protect cultural heritage, is very welcome.
If more people are going to see films like 'A Sinner in Mecca' then we need the world of religious documentaries to evolve. So is there a potential for religious documentaries to go online? Yes!
Silkscreen prints, sculptural pieces and paintings are laid out like Stations of the Cross, around an altar, with a series of surgical images of a body scarred with stigmata-like wounds hung above the visitor, in place of the crucified Christ.
I am facing the distinct possibility that I have worn you out with what appears to be my jaded and sarcastic approach to being a BME teacher. The truth is: I am worn out. The fact that there are not that many Asian women in senior leadership in teaching means that the ones who are here have to work harder to build cultural, ethnic and racial understanding.
When I first heard that the Courtauld's Summer Showcase was going to comprise unfinished works from its collection, I wondered if this might be, like its subjects, a half-baked idea.
The thing about art is that it asks of us everything. An artist brings to the moment of making - as painter, as actor, as welder, as dancer, as poet, as playwright, as draftsman, as precision tool engineer - every memory, every fine-tuned muscle, every last drop of knowledge and experience and focusses them all in the act of creation.
What is hang about? I cannot tell you. What happens in it? Even after watching it, I do not know for sure. Everything in this play is a little elusive. Facts, motivations, even names, place and time. Yet this is a play that plunges headlong into a dark situation where victim's justice is taken to its farthest point.
There's nothing new or groundbreaking about speaking to people, even in a world of ever-growing virtual interactions. But I think that's what's baffling. If it's so normal and easy (and the benefits outweigh the effort) why aren't we doing it more often?
Ok. Own up. Who is it? Which of you is it that keeps buying tickets to watch films in 3D? There must be some of you out there that have been to see more than one movie with the added dimension, because the cinemas keep putting them on and studios keep making them.
It's not just the story that has been overhauled but the production design too. Out have gone the Grecian robes and sandals to be replaced with a sparse set and simple, contemporary clothes.
And as I (along with thousands of others) plan to travel to a muddy field in a far-flung corner of my Diocese in the early hours of Monday 15 June 2015 to celebrate the 800th anniversary of the "greatest constitutional document of all time", I do so with renewed confidence in the role of the Church and the Judeo-Christian tradition in shaping the values of our democracy