Inside our cars, we stop valuing human life and simultaneously overvalue our own time and importance. And because many people who work in the city drive back to the suburbs where they spend all of their money (becoming agents of urban sprawl), cars have become the standard accessory of urban economic divestment.
The question is, where has he gone? These words don't come easy, but Martin Scorsese, at this current juncture in cinematic history, has disappeared. Once a maestro film-maker who advocated anarchy of the soul - see De Niro's Johnny Boy in Mean Streets or Joe Pesci in GoodFellas - Scorsese delighted in holding up a mirror to America's underbelly, and he did so with that most subversive of narrative tools: humour.
It's not hard to see how affairs can happen between actors - in many ways it's the same setting as an office romance only with the glitz and glam of Hollywood. Both people have a lot in common from the start: the same career, ambitions and motivations, coupled with playing intense and sometimes sexual roles - it's like a volcano waiting to explode!
This may come as a surprise to you, but did you know that there is an almost secretive, physical effects company hidden behind a bleak, cheeky corner near Perivale tube station in North West London? I recently went there to speak to the CEO and SFX (Special Effects) Supervisor, Mike Kelt, to see what the place is all about...
I doubt Michael Cimino has ever watched a game of cricket in his life - nevertheless the Oscar-winning director who imploded in a fireball of arrogance, sycophancy and self-obsessive control-freakery more than three decades ago is the perfect mentor for England's beleaguered cricket captain, Alistair Cook.