There is no rule of law and much of the state infrastructure is crumbling with government employees complaining about not being paid. And it's here in Tripoli where the Italian investigators traced Ghermay to, where they believe he's living and from where he manages his multi-national human trafficking business. And it's here he will carry on operating, safe in the knowledge he can't and won't be caught - no matter the protestations and political pledges to crack down on the gangs and the networks. Because Libya is anarchic and that means the smugglers can operate with impunity.
It is as easy to insist on a political settlement in Syria or in Libya as it is to talk of crushing ISIS. In Syria and Iraq, ISIS gives every indication of denying the legitimacy of compromise, so the concept of settlement would be out of bounds. In Libya, where ISIS is present but far from dominant, there could (and, for their own self-interest, should) be more possibility of arriving at an initial settlement between the Dawn and Dignity rivals.
In a desperate bid to show himself as an influential player on the world stage, he recently claimed that his opposition to the US-led airstrikes against the Syrian regime, in response to Assad's use of chemical weapons, as a major foreign policy success. What Miliband does not know is that nobody takes him seriously and that his foreign policy 'success' will have no impact on the results of the British election.
One is white, stark, temporary, windowless. Fluorescent lights hang from its ceiling. The room is empty save for a woman, crying. She is chained to the wall and obviously pregnant. The woman in the white room comes from Morocco but has married a opponent of Col. Gaddafi, and for that reason is about to be plunged into terrors of which she knows nothing...
Alright. The word amok is just a trigger here and I'm not seriously going to compare a famously dour German art film with the present state of an entire north African country. But ... well, I'll at least come back to Fassbinder & Fengler's drab masterpiece at the end of this quick run-through of Libya's current woes.