Do you ever think that the people behind The Great British Bake Off might be running out of episode ideas? I only ask because episode six of the 2014 incarnation has as its theme 'European cakes', which sounds very much like a 5pm-on-a-Friday idea to me. Anyway, I can't be too concerned about that because my main concern is who is going to be my new baking hero following Norman's ignominious sortie last week.
It's frantic at the end - some pies are burnt, some pies are under-done, and Norman's apparently put an entire field of lavender into his meringue, but who's going home? In fact, with Diana out of the picture, is anyone going home?
The Dinner Party Revisited is a live art performance piece created by the enfant terrible of the disability arts scene, Katherine Araniello that builds on her past works using video and performance art to challenge society's view of disability. If that sounds serious and worthy boy are you wrong.
Kitten And The Hip, aka husband and wife Ashley and Scarlett proved sometimes one voice is better than two! A bit awkward but Scarlett made the right choice to go it alone. She could be one to watch.
The World cup is a distant memory, the nights are starting to draw in and for most, (sorry Scotland) the return to school is imminent. This can only mean one thing, the return of the one, the only, The X Factor.
As a restaurateur one is subject to reviews. It was bad enough in the days when one only had to fear the crapulous pundits of print casting their judgement after a long lunch. Today our scourges are the customers who think they can make or ruin us by posting their troublesome pennyworths online.
American filmmaker Josh Evans' new movie Death in the Desert is a classic. I was privileged to get an exclusive preview of this brand new film. The prolonged panoramic and panning landscape shots burn into your mind with the light and the dark and the shadows. The cast and the characters they play are captivating as is the dark and addictive story.
Now, a man throwing a cake in the bin and walking out of a tent may not seem particularly momentous, but in the bunting-clad, cosy world of Great British Bake Off, this is big news. To us, this is our equivalent of Eric Cantona karate kicking a racist supporter at Selhurst Park in the mid-90s.
It's 20 years since I've seen a Luc Bessonfilm as enjoyable as Lucy. The French movie mogul created two of my favourite films in Leon and Nikita, but in the years since then his output has been erratic to say the least.
It's a character driven thriller without a lot of dialogue, the tension quietly builds up, Jeff Grace's music score is perfect and Christopher Blauvelt's cinematography perfectly captures night moves as you're led to the inevitable question, 'what or who will bring them down?'
That this story is about gay men in the 1980s and that not all of them make it through to the end alive might give the impression that this is a heavy, depressing play. Not at all. In fact, this play is incredibly funny, with moments of real tenderness. I wasn't bored or depressed for a second.
Bread week in the Bake Off tent means an array of yawnsome "rise to the challenge" puns and half the episode spent fretting over proving draws. The third episode of season five begins with the signature challenge of a dozen identical rye rolls (not "wry rolls", as I originally thought).
Incognito Theatre's production of Nikolai Gogol's Government Inspector at the Edinburgh Fringe Festival is a spectacular piece of theatre. Fringe attendees shouldn't miss the opportunity to see such a well-conceived production of the 1830s Russian satire.
Manly Richard (he's a BUILDER!) wins the technical thanks to Mary telling him his biscuits "have got a nice forking". Inexplicably, no-one collapses into giggles at this comment.
And then there were six. Whether or not they are the right six, I cannot say I believe all the finalists are entirely deserving of their place in the final week of Big Brother, but it is a game at the end of the day and this series has been an odd one so far, that's for sure.
Watching this film is relaxing, exhilarating, fulfilling and wonderfully nostalgic. You're gently nudged round a full spectrum of emotions, but just as is the case with 'real life', of course different moments will resonate with different people.