It's really quite sad if you think about it; not so long ago, Baz Luhrmann was the darling of Hollywood, a breath of fresh air in an increasingly formulaic industry. Audiences aren't so easily distracted these days by shiny colours and slick cinematography. More and more, they crave inner beauty over outer beauty. And perhaps it is that Baz Luhrmann hasn't quite realised this yet.
If we study the Gatsby phenomenon in detail, we would realise that every society has its Jay. But the factors that produce a Gatsby can be amazingly different. For instance, in the case of India it was not war, but economic reforms which gave birth to this culture. Here I shall discuss the strange case of three Indian tycoons who had shades of Jay, and like him met violent deaths.
The Great Gatsby is currently available in the UK in at least seven different editions, is about to appear in its sixth film adaptation, has been adapted on innumerable occasions for radio and theatre, even succeeding without adaptation as an eight-hour theatre reading, and has also been performed as a ballet, an opera and an orchestral suite.