Earlier this year, there was dialogue about "period policy." A Bristol firm called Coexist pledged to give women time off for period pain - prompting ...
The marriage of Mrs Emin to Reg will give them both support, constancy, experience and the potential to grow further. She is following many famous people who have achieved the same in their relationships with rocks.
The problem with Emin's statements is that they propagate damaging myths: about what it is to be an artist, a mother, a woman. And as Virginia Woolf tells us, it far harder to kill a phantom than a reality. It's like looking for nits, or searching for proof for jealousy: resolution can only be reached by discovering what we don't want to be true and in the absence of that we are condemned to continue the search.
The 20th anniversary exhibition of A Fete Worse Than Death hosted by Red Gallery, is allowing artists the chance to reclaim the area for a day whilst giving the public a rare opportunity to see and buy early artworks made by the YBAs before they were famous.
As you weave between the blooming orange trees, which beguilingly give out an aroma of comforting honey in the spring, in the garden of the grand but homely house of the late great poet and author Robert Graves, you feel he'd achieved what every artist craves - an inspiring base, studio or home where you can create.
Debut Contemporary has become the Arts Hub and Meeting Point in Notting Hill in just three years since its existence. It is a place where you can practise yoga, play chess with gloves, wear a bespoke-made mask, have an Art-inspired dinner and attend a constant array of eclectic events.
It makes sense to exhibit this kind of art in one of Soho's more rebellious corners. The space chosen by Vermilion Hook lies beneath Marshall Street in the basement salon belonging to designer and tailor, Mark Powell.
It's the season of party conferences here the UK. In the wake of Lehman, and almost by default, politicians of all colours like to call for a rebalancing of the UK economy towards manufacturing. Making things seems, prima facie, a common sense way to help revive the nation. But what if how we think of our history is wrong?
Is Emin right? In a world where we spend an increasing part of our lives staring at screens, could Digital Art give us a moment to "think about things we feel"? Can it rescue us from the constant commerce by communicating to us in the medium of our time, or is Digital Art simply a poor substitute for The Real Thing?
We need an answer to everything. Don't have your dream career? You can be a high flyer if you read the right books. Failing relationship? You're not trying hard enough. Unhappy? You're obviously not attending the workshops.
After a series of mysterious fires and the unrelated launch of a mega-mall nearby, Margate turned from beloved tourist destination to ghost town - practically overnight. Despite the efforts of high-street hero Mary Portas and the valiant rejuvenation of the Old Town, Margate continues to reek of recession and disrepair.
I just had a show open in MALBA, a very beautiful contemporary art Museum in Buenos Aires. It's my first museum show in South America. In fact it's my first museum show anywhere on the American continent.
The art world, and particularly how we foster and develop it in Britain, is in a period of crisis. And if you haven't noticed that, then it's a worrying testament to the way we debate and celebrate the creative processes in this country.
If you want to get your fix of art before the whole of Britain is descended upon by Olympic-goers, this is a brief round-up of what there is to see in...
It has come to my attention that Tess Daly is the latest celebrity to join the ridiculous milk campaign. As I waited for the red to turn green by the ...
'More Passion' a neon piece by Tracey Emin was recently installed in Downing Street. Emin is refreshingly honest about her passion for the Tories ("They are massive collectors"), yet has donated a piece that says precisely nothing. Maybe it is dedicated to Nick Clegg?