Following the relaunch of the Jim Henson-created brand The Muppets, in the original titled The Muppets a solid commercial and critical reaction has lead to a sequel Muppets Most Wanted.
Accolades and controversy followed 'Blue is the Warmest Colour' after it's 2013 Cannes Palme d'Or win and I felt the need to view it again. It is raw, powerful, mesmerising and memorable and that's not for the astonishingly frank lesbian sex scenes which elicited controversy. It's for Lea Seydoux and Adele Exarchopoulos's compelling performances.
When you see Liam Neeson holding a gun and looking grumpy on a poster or DVD cover, it's easy to dismiss the advertised film as a Taken knock-off not worthy of your precious time and money. Neeson might seem to many like a brilliant actor who has been sadly burdened and pigeon-holed by Hollywood's desire to sell a very specific skill-set.
Although I know I'm in the minority, I felt that this film needed more gags, better use of supporting characters and less slow-moving hanging around. I couldn't help feeling like Anderson must have been told one too many times that he was a genius, and decided to just follow his instincts rather than filmmaking logic as a result...
Some hotels served as filming locations, such as Boston's Fairmont Copley Plaza in American Hustle and the Aria Resort & Casino in Last Vegas. Others were used to signify other locations, such as Los Angeles' Langham Pasadena...
You probably haven't seen it, even if you consider yourself quite a horror fan. It's from a film that remains difficult to track down, and was never very widely shown in the first place. In my opinion it's one of the truly great moments in horror cinema, and I don't want you to go and check it out under any circumstances.
"Too many films......not enough time," is a sentiment I heard a few times at this year's Berlin Film Festival. The Berlinale present approximately 200 films. Combine that with the European Film Market's in excess of 200 films and add in the 200 or so from the previous month's Sundance and Rotterdam and well, you have a lot of films to work your way through and only so much time.
The truth is that whatever nationality you are in the West, if you are black in the arts, you are corralled, parcelled out, mediated... 12 Years a Slave may make it even harder for black American filmmakers to be financed, to have a shot at clutching that Oscar, too.
Fans of the original will find plenty to enjoy in the '300 on steroids' approach and it nicely sets up a rousing finale. For everyone else there are enough moments of genuine ingenuity to stop it being a complete shambles, but remember to switch your brain off at the door and prepare for a visual and aural beating. Sparta this isn't.
Without stating the apparent obviousness, I'm very much in the pro-camp. Or as some of my fellow impassioned supporters call it, Get The Fuck In or Fuck the Fuck Off. With the date coming nearer and nearer, it's hard for anyone to be on the fence and it's becoming increasingly feisty.
A hidden pressure of Oscar night is the psychological tightrope narcissists tread on the red carpet. Convention requires they give an acceptance speech which thanks others and indicates humility - acknowledging the contribution of colleagues to their own success. But deep down do narcissists really believe this?
Katee has become one of the most recognisable actresses of the escapist genre. As feisty pilot Kara 'Starbuck' Thrace, she helped turn the revamped Battlestar Galactica into one of the most acclaimed dramas of the Noughties...
To those who have not seen Roots, the plot may still read like a familiar story. The recent release by black British director Steve McQueen, 12 Years a Slave, may start differently, but it follows a very similar trajectory of blood, whips and brutality.
Still bothered by the fact that the British media doesn't think McQueen's remarkable achievement of note, I ask Lenny Henry if he thinks it appropriate to celebrate the fact that a black Briton has succeeded to this extent. Lenny is unequivocally celebratory. "Of course you should celebrate. He's a shooting star. Everything that Hollywood, even European directors strive for, he already is."
Now in its tenth year, the Glasgow Film Festival is fast becoming an essential fixture in the UK film calendar. Like the city itself, it's friendly, welcoming and its enthusiasm is utterly infectious.
Set in an indeterminate future Qohen Leth, Christoph Waltz is an employee for a huge corporation in a dystopian future, a company that XXX owned by Management (Matt Damon), who tasks him with solving the Zero Theorem, itself part of Big Crunch theory.