The film defies the norms of 1940s Hollywood. For example, Doris is working in a senior management position at Macy's flagship store in New York, while Fred is often seen rolling-up his sleeves around the house in a swap of the traditional gender roles of the time.
as diverse as Minister of Culture in Haiti and his current position as President of FEMIS, the prestigious National Film School of France, experiences that contribute to a unique directorial vision.
Haynes dares you, compels you, to fall in love with Blanchett's titular Carol, and by the time you're finally allowed to draw breath at the end, you realise you are already far gone. Shot on a remarkably modest budget, it has the feel of an obvious awards contender and a project any producer should have been willing to fling at least a moderate amount of cash at.
I'm on the East Yorkshire set, and the concept art, story, and the fact it features David Bradley (Harry Potter, The Strain, Game of Thrones) has me intrigued. The rest of the cast are also on good form; there are some stars in the making here.
It's no secret that here in the UK we have a whole host of talented individuals, from superstar footballers to incredible actors, and more - and more - of them are heading overseas to find more fame in the bright lights of Hollywood and beyond.
Some (men) say that Pinter has just as much disdain for men. His male characters vary from a bit pathetic to utterly cruel. But the point is that the leverage they have in the world comes from more than what's between their legs.
'Carol' is superb 5-star must-see, should see cinema - Steven Spielberg's 'Bridge of Spies' is masterly but it's a long wait to get to the Bridge - Johnny Depp's plays mobster James Bulger like a chilling skull from the grave in 'Black Mass' - 'Radiator,' a low budget gem is a great find...
We clearly want men to avoid the trap of becoming like Darth Vader, nor do we need them to strive to be Superman. I think men need to give themselves a break about being dad, find some middle ground and if their hearts are full of love for their family they will be good enough.
"To infinity and beyond!" It's hard to believe that it's 20 years since Buzz Lightyear first crashed onto our cinema screens and uttered that iconic phrase. But here we are two decades, three films and 279 minutes later, and the words today seem more reflective of Toy Story's lasting influence on film and animation than its space ranger's complete lack of self-awareness.
I disagree with their decision and I disagree with the reasons they have given. I hope it's reversed. I don't believe the film will offend or upset audiences, in the way they mean, and I don't believe it creates a new precedent. But from the point of view of global corporations and consumer culture, from the perspective of the gods and spirits of the age, there are very good reasons indeed to ban the Lord's Prayer from cinemas and from culture and from public life...
Put simply, we are the victims of our own ingenuity. Rapid industrialisation, increased birth and survival rates, and the "green revolution" in food production mean that there are more humans than ever before: in turn this drives more consumption, more need, more demand for resources such as coal and oil that are ultimately damaging to the ecosystems we depend on for our own survival.
It is like a super power. I sit and watch as people walk back and fore, come and go. Then one, just one person will shine out of the darkness and keep...
'The Dressmaker' slips in the heat of the Australian day...
Top Boy is a film that documents Skepta's American tour. It's a fly on the wall roller-coaster ride from Queens to Washington DC, to Boston, Brooklyn and Toronto, where the BBK crew on a smoky testosterone-heavy tour bus, are all smoking weed, drinking Henney and making money rain.
Sadly it speaks volumes that Jobs saving a piece of digital art from his daughter after years of estrangement feels strangely empty. It's hard to emote over something saved to a hard drive rather than hand crafted.
Over 30 years, Stan Laurel and Oliver Hardy appeared together in 106 films. Their first film was a silent short called A Lucky Dog. Now, almost 100 years later, Laurel and Hardy are being screened in cinemas to sell-out audiences across the UK & Ireland as part of a campaign to introduce them to the next generation.