Royal Shakespeare Company

This was a special production, too, in that the parts of Shakespeare's 'Mechanicals', the working men of Athens who stage the play-within-a-play at Theseus and Hippolyta's wedding feast, were played by actors from local amateur dramatic groups in each region visited by the tour, and the parts of fairy attendants being played by local schoolchildren.
Oppenheimer is a powerful, intelligent, huge scope of a play that examines J. Robert Oppenheimer, the man at the centre of the Manhattan Project, and the professional and personal cost he paid to create the atomic bomb.
The threat of nuclear annihilation seemed an ever present theme in the culture I absorbed growing up - it was there in the origin stories of the Daleks and the Incredible Hulk, it was there in Raymond Briggs' When the Wind Blows, it was there in Threads.
Just as we do today, lovers in Ford's day, and in his plays, saw the heart as the symbol of love, but also as the core of our being, where we hold our most profound feelings.
Anthony Sher is the star casting as Falstaff and, of course, he is superb. Everything about his performance is superb - the delivery, the warmth, Falstaff's arrogance and his manipulation of those around him, and that great speech on the eve of war on the perversity of honour is moving and powerful.
It's understood that he started as an actor, learning his craft as an unknown. What he did next was extremely canny, and something somewhat outside the realms of possibility for writers, producers, or actors in this modern world.
If you could ask Shakespeare one thing, what would it be? Building on this question, the MA Shakespeare and Creativity students
Maria Aberg has done it again. The way she could make an incredibly tasteful use of balloons and confetti in King John last year, she has now succeeded in creating an enchanted forest of Arden with boots, blankets and beams.
David Tennant's face will be beamed into schools across the UK later in the year, when the Royal Shakespeare Company streams
The stars and director of new British film Vinyl chat to Jason Holmes about how pulling together on a small-budget film makes for some tidy work.