You might love Charlie Brooker, you might loathe him, but the fact is he and his show are really quite remarkable, because it really takes apart the horrendous products of modern television and really hits home the issue of shoddy mainstream journalism, something that many of us let easily slip by.
We create art with a variety of participants such as homeless or vulnerably housed people, to disabled people. Through workshops, events and performances we provide a platform which offers a voice for the voiceless.
After what was one of the worst flights I have ever had (Air India with a 14 hour unscheduled delay in Mumbai) I finally got to New Delhi in time for their Art Fair Week. Much like Frieze, it is one event after the other, and very exciting it was too (and that was not just the water buffalo on the road, or tuk tuks coming at you on the wrong side of the street).
Many in the business world trivialize the arts as an optional extra. They think of the arts as 'soft' and tiptoe around artists they imagine to be fragile, weak or prima donnas. But they've got it all wrong. Successful artists are the most tough-minded people I know, able to contain and manage uncertainty, risk and experiment.
The New York Winter Antiques Show is a bastion of the New York social scene and the season opener for the local art and antique trade.
When the seventh edition of the most famous Jaipur Literature Festival opened at Diggi palace in Rajasthan (India), the charter was set by none other than the famous economist and Nobel laureate Amartya Sen. And, what did he want for the country, the third world nation which on the throes of turning into a vibrant economy?
My book's journey started about five years ago, a decade after the Paddington Train Crash which changed my life. At first, I sat at my office desk and dutifully typed up the events that had occurred since the crash, rather as I type up a proposal for a project I am about to manage, until I had a finished product.
Reviews of Autobiography confirmed my worst fears: he would spend far too long detailing a complicated court case against his former band-members and not enough time describing how it must have felt to press something so pure as Hatful of Hollow or Meat is Murder to vinyl. But then - what do critics know?
Qian Chen is a respected artist from Hunan who has settled in London. He trained for many years to become adept in the classic brush techniques of the notoriously difficult Chinese water and ink painting. His obsession is the equine form and, thus, his horse is the centrepiece of the London poster.
With an exhibition title like "Big Swinging Ovaries" it's probably obvious that artist Jess de Wahls is a feminist. What's less obvious is that "Big Swinging Ovaries" brings together art, feminism and recycling to create portraits of diverse female role models.
It's easy to mock the Southbank Centre's Being A Man Festival that explores what it means to be a man in the twenty first century. Why mark out these three days, when they seem to be doing a pretty good job at dominating the other 362 of the year?
Fear and Loathing in Vegas is cult property. The brilliance and craziness that flows from those pages is practically palpable. But not all of that magnetism has found its way into this keynote production at the Vault Festival 2014.
It's fair to say I've found a new love of the theatre, and modern tech means that people can experience the west end from hundreds of locations around the world. This is truly exciting. Not only that, but I think I am a Shakespeare convert.
Considering this is a Samuel Beckett play about a woman trapped waist deep in rubble and rock, the title of Happy Days may be ironic. But in this superb production it is a beautifully poignant reflection on the struggles of the human spirit against almost impossible obstacles.
To travel the world is to witness new things. Travel, quite literally, opens your eyes to a whole new world and introduces you to entirely new people. It is this sense of connecting people and broadening horizons that is part of what makes travel so exciting and beautiful.
The fun began on Tuesday, the doors to the Battersea decorative fair were flung open and everyone flocked to Mrs Sungoose's stand. At one point I noted over 25 people huddling avidly and greedily over her display cases.