In America, Tom Paine's writings spurred the revolution for independence. Or closer to our own time; consider how the Nazis burnt books of which that they were scared. It's easy to see that books have power if they are being fought over because of the ideas they contain.
When everybody is trying to understand today how Jihadi John made the transition from a shy nice kid to a cold merciless killer, music composer Purcell and playwriter John Dryden already attempted to grasp such a thorny issue in the late 1600s.
There's a rush on at Hobbycraft, Facebook is filled with kids in cardboard, and A&E is experiencing higher than average craft-glue related injuries. Yes folks it's World Book Day, the date circled red on every parent's calendar
I am aware that exams and qualifications are the currency of success these days; it is how it is. But that is the easy path is it not? We can coach, we can cram, we can meet the bright but reluctant working class scholar half-way by softening the questions. Then we can celebrate.
Apathy is a strange curse. I recently conversed with a friend over the diminishing motivation of my generation. It's not that we're lazy, nor are we disinterested in the workings of our planet, but there is a heightened degree of the 'It will never happen' attitude.
I recently had the good fortune to play the sole female character, 'Curley's Wife' in Steinbeck's classic Of Mice and Men at Birmingham Repertory Theatre.
No one says they want to get rid of the NHS. Everyone praises it, across all parties. It is about as powerful a symbol of goodness that we have, so it would be too dangerous not to. But for decades now, there has nevertheless been a systematic undermining of its core values.
Sukina (my band member) and I often joke about performing to new audiences and how it takes about three songs before they get over the shock of hijabis running across the stage, telling them to throw their peace signs up.
Human Rights, Human Wrongs at The Photographers' Gallery is a thought-provoking photography exhibition that examines the legacy of iconic images. Spanning the years from 1945 to the early 1990s, the exhibition reflects the major political upheavals, conflicts, wars and struggles against racism and colonisation that became particularly urgent after the Second World War...
My art practice is like a constantly evolving self-help course where I am as much the therapist as the client. The intent of this body of work was to expose myself to such extreme levels of sugar and junk food that I would no longer want to eat it again...
My biggest inspiration is the people I know, the relationships I have with them and being part of their lives. They contribute to my life and affect it immensely and I try to add something to theirs.
In anticipation for his upcoming solo show 'Monster', Carla Nizzola and I visited Magnus Gjoen's new Hackney studio set up to pick his brain on the inspirations behind his most refined collection to date.
Although two very different shows, with very different atmospheres - the themes raised by each artist successfully manage to complement and elaborate on the work of the other.
Inequality is everywhere at the moment. Scarcely a day goes by without a new take on an age-old story. Inevitably, much of this has focused around money - the super rich, multinationals, bonuses, the wage gap, housing, Swiss bank accounts, tax - all have been under the media spotlight in articles that generate anger and jealousy in equal measure.
If we want to build a safer and more prosperous world, there needs to be a rapid, massive and sustained increase in the number of people who have access to justice.
SPID's latest performance Arthur's World, took the council estate to the attic space of the Bush Theatre. It was staged in an 'immersive' environment, meaning the audience were invited inside the fictional world of the play; character Arthur's council estate flat.