But Paris is not just about the Biennale - the whole city of art and design sparkles in the early autumn sun and shows proliferate. My friend Sylvain, who has an exquisite gallery on the Quai Voltaire, is putting his best foot forward with a gathering of Meissen porcelain.
I met with Chimamanda at her London Hotel where she stayed during her visit for the London Premier of the film Half Of a Yellow Sun. With the author's time divided between the US and Lagos, I was lucky to catch her during her short stay in London.
If humanised portrayals increase a child's empathy for animals - and such portrayals are ubiquitous across children's books, cartoons, films and toys - why do those with a positive attitude towards animals occupy such a marginalised position in society?
The web and sites like Change.org means that people can speak out and have more impact than ever before - proving wrong the assumption that the public don't care about politics. They care about the issues that matter to them and when institutions like the Barbican are challenged - we should celebrate that disruptive behaviour, whether you agree with Sara's campaign or not.
As well as the various ship-to-ship weapons, there were pikes, daggers and swords, longbows and handguns for long distance attacks, and rather nasty antipersonnel weapons such as the hailshot piece, a short barrelled gun that was used to blast iron dice at enemy boarders at close range.
The exhibition showcases an exciting group of 38 artists who are relatively unknown outside their homeland. Some of the artists featured in this exhibition have established reputations in Ukraine, while others are recent graduates.
For decades politicians have put education at the top of the agenda. But we seem to have ended up with a target and league-table based system, and a too-narrow focus. Head teachers are under tremendous pressure to ensure that targets around literacy and numeracy are met... From what I've seen, creativity in the curriculum is being squeezed hard.
By the end of the year, there will have been three major exhibitions in Great Britain devoted to the work of artists at the end of their careers - Matisse, Turner and Rembrandt. Yet it wasn't until the middle of the 20th Century, that late life creativity was considered a possibility.
Teh Internet is Serious Business (typo deliberate) at the Royal Court is a really exciting, dynamic production about collaborative hacktivism. Anonymous, LulzSec and 4Chan are all included in this show that blurs fact with fiction as it seeks to reflect the good and the sinister about lives lived online.
The Grisha Trilogy, consisting of three books Shadow&Bone, Siege&Storm and Ruin&Rising has also left a strong impression upon me, as an aspiring author, and made me eager to find out more about Leigh, and why she decided to write the trilogy in the first place.
Unlimited immigration from the EU is not a good thing. Immigration is, according to the polling, the second most important issue in British politics today - behind only the economy. In his Conference speech Labour's Ed Miliband, the man hoping to be our next Prime Minister, 'forgot' to mention both the economy and immigration. Understandable perhaps, given Labour's record on both issues when they were in government.
It narrates at least one hundred years of world history to remind us that in the multitude of global societies, one phenomenon repeats itself without fail: some people in positions of power direct the cultivation of society to be divorced from the reality of ordinary people
He made his intention clear; he wanted to completely abandon depicting reality and instead invent a new world of shapes and forms that belonged exclusively in the realm of art for art's sake.
Klein's fundamental argument is simple: in order to prevent global warming, we need an ideological shift away from neo-liberalism towards a fairer, greener and more egalitarian form of society
It is five years now since Duncan Campbell's Make it New John rolled off the production line. Pristine and gleaming in its 2009 plates, Campbell's film was very much that year's model.
Anselm Kiefer is widely considered to be the most influential artist working today. However he is not a household name. With this in mind, this new exhibition at the Royal Academy succeeds in not only showcasing a broad range of Kiefer's extraordinary work, but also in bringing much depth and context to the pieces on show.