'Sustainable' is a word that I associate with our environment: waste (throw-away fashion) and recycling, water consumption and contamination, energy consumption and climate change, chemical usage and animal welfare.
Industry wide strategies aimed at improving labour laws are essential; only through freedom of association can the millions of voiceless individuals employed in this multi-billion dollar industry take a lasting stand against systemic injustices. There is an urgent need for both the industry and the public to hear this collective call to action.
Our stance on gender is that your gender is irrelevant. Your sex should not define your choices, how you are perceived by others and who you are as a person - in other words your biology and subsequent gender assumptions, should not pigeon hole you.
Sewing your own clothes allows you to take back ownership of your wardrobe. You can start making clothes that suit you, made from fabrics you choose, rather than being shaped by what retailers tell you you want... The first step to improving the ethical quality of the fashion industry is yours to take.
The industry is changing, slowly, and at last consumers are starting to demand change - especially through glorious campaigns like #FashRev and #WhoMadeYourClothes. Really the only way to change the big bad industry is to talk through our purses. If we all start to consume more ethically, and less, then big businesses will have to take notice.
Worn on the right person, it is beyond words (although I shall continue to try and capture the essence of this garment using such linguistic containers; limited though they are). Think of Audrey Hepburn in her black turtle-neck in Funny Face. Nothing expresses a sense of gamine joie de vivre better than her in that outfit. She made that sweater iconic.
Gloves are so much more to hands than socks are to feet. A mislaid sock is a perennial thread in the web of wardrobe nuisances, but, classically, a mislaid glove is suffused with poetic symbolism. There is even something vaguely poignant about it, for the glove is an encasement for our hand, and what other outer garment is so full of intimacy?
I should come out and say first of all I've never had dreads, nor wanted them. I'm white and I've always loved reggae, but never wanted to symbolise that love with my head. And perhaps I don't have any right to speak on this subject given my race. But then I think this question goes far beyond me.
This week marks the beginning of Fashion Revolution Week, but how can you be a fashion revolutionary? For the first time, a global online event will take place which anyone in the world can take part in: the Fashion Revolution Wall.
Three years ago who would have imagined how Fashion Revolution and The True Cost movie would galvanize that much interest and action from consumers and businesses? On the environmental sustainability side Greenpeace Detox campaign has forced companies to reduce the most toxic chemicals used in the manufacture of clothing.
I have a theory. It's just a small one, but in drawing and sketching so many women - of all kinds of beauty and sexiness (or not so much), I've learned that there is just one thing that makes a woman feel and exude gorgeousness. And that's what she feels about herself. Self love.
Then there are images that draw us in, over and above aesthetics. I wondered how the new generation of photographers, those with a timely political agenda, make a place for themselves at the visual pulpit?
Before we can rediscover a 'moral sense of beauty' on falling in love with a new dress, we need to know that there is equity behind its beauty. To know that there is equity, we need transparency.
This week almost three years on from the devastating Rana Plaza complex collapse in Dhaka, Bangladesh, I managed to catch up with Carry Somers, to find out more about the Fashion Revolution that she has started and why she and many others are resolute in calling for change in the fashion industry.
The way things are now, women and fashion have an ambivalent relationship. Fashion employs women around the world. Yet employment conditions are unacceptable. Fashion inspires creativity and self-expression. Yet we're bombarded with messages about what our bodies should look like and what we should wear.
While automation would likely ensure the end of garment worker exploitation the major social and political implications of displacing so many people by machines would need to be considered.