Last year I heard the untold story of this pioneer generation - children of the Raj who arrived in a country unused to seeing people from the former colonies on its streets. I now pick up their story - along with their children - many of whom were born here - in the second series of Three Pounds in My Pocket, broadcast on BBC Radio 4.
There has for some years now been a great deal of interest in Sweden here in the UK. I think this stems largely from the fact that Swedes seem like a happier, more successful version of us... What is their secret? It could be summed up in one word: 'lagom'. Lagom is a uniquely Swedish word with no direct translation into English. It means 'not too much, not to little'.
I got back from Strasbourg last week, where the European Parliament absurdly ships itself each month to vote on various regulations and directives. And, unsurprisingly, there was almost no mention of what happened in any UK newspaper, blog or radio station. To be quite honest with you, it makes me want to bash my head against a wall. What happens in Brussels (and Strasbourg) has far more impact on any of lives than what MPs in Westminster usually bitch and moan about.
This Monday was worse than usual. Before I even took a first sip of my obligatory morning coffee, my phone pinged to tell me an email had arrived. It was from my solicitor, telling me that they had received the response from UK Visa and Immigration to say my review has been rejected on the same grounds as they originally refused it. They have now also issued me my removal orders.
I first met Bryan online nearly two years ago, during a series of interviews for a BBC Radio 4 series called Don't Log Off that has been on the air since January 2012. The concept of the show is to seek out people's stories from all over the world - not by traditional or conventional research methods.
Fellow writers, comedy fans and people prone to going "I could do that" - Radio 4 Extra's Newsjack is about to start a new series. As well as being very funny, it has an open door policy. You can write for it. In fact, if you're interested in getting in to writing comedy for radio, I'm going to go as far as saying that you really, really should write for it.