With it's documentary feel, sharp script and a spot on cast 'Spotlight' is a tension filled insight into The Boston Globe's Pulitzer Prize Spotlight Team's investigation of long hidden systemic child abuse by Catholic priests in Massachusetts and the Church's complicity in it's cover up. It's riveting cinema with shades of 'All the President's Men.'
If you tipped your head in the right direction on Monday evening you probably heard a whoosh of applause coming all the way from the Eccles Theatre at this year's Sundance Festival, where the first of three standing ovations greeted the premiere screening of The Birth of a Nation.
For a film with perhaps one of the least imaginative titles going, The Big Short sure does give you one hell of an introduction to the recent banking crisis.
The tradition of watching minorities being ignored at the Academy Awards is as familiar as eating that tired stale fruit cake every Christmas. Hard, old and annual. I am not just talking about black people. I am talking about women, the disabled and other ethnic minorities too.
I want this film to be a love letter to all those people who are worried about saying I Love You. Say it. Trust me. You will learn a lot more about yourself if you stride out and embrace the emotional surf that knocks you off your feet.
Whenever an African American wins an award it is viewed by the African American community as historic, and that is fair enough; the Oscar is routinely mistaken for cinema's highest honour. The academy, like the Hollywood system, is deeply discouraging to black American talent, and to a disturbing extent. The awards are few; decades pass between them. Hattie McDaniel won for her portrayal of a maid. Whoopi Goldberg for her portrayal of a con woman.
'The Big Short' - fascinating, witty, sobering, a terrific tale of greed and corruption on Wall Street - 'The Assassin' requires patience but the reward is a feast for the senses - Eric Barbier's 'The Last Diamond' is a stylish, pacey diamond heist bedded in seduction, double cross and murder.
THE REVENANT OUT IN CINEMAS NOW Alejandro G. Innaritu / Leonardo DiCaprio, Tom Hardy / Thriller / 2016 / 15 / 156mins A thought occurred to me as I...
It is a comprehensively gory film that embraces violence and brutality like American Pie embraces sex jokes. The problem is that because the violence is so front and centre the film has been, in my view at least, misconceived in its intentions by many who have seen it.
Although we tend to focus on his ability to play 'the bad (good) guy' many overlook his comedic side. Galaxy Quest, Love Actually, Dogma and The Hitchhiker's Guide to the Galaxy are evident to his adeptness as an actor.
Despite enduring the inane first half, it did grow on me. When Joy gets invited to present and sell her product on QVC thanks to Neil Walker (Bradley Cooper) we see more emotion because of the payoff aaand suddenly the plot takes off because, hey, this is what we wanted to watch! Then I remembered... WHY IS THIS ONLY HAPPENING HALFWAY THROUGH THE BLOODY FILM??
Remember the context here, Sleeping Beauty was released in fifties America, when sexism was rife. Prince Philip, a man, is saved by three fairies, perhaps explaining why the film was a critical and commercial failure at the time. But it's a harrowing vision of the future of feminism - a satire of the overt masculinity of the times and a homage to the people who try.
So, then, where does The Force Awaken stand in real money? According to box office mojo, the film is ranked at number 18 on the all-time box office charts once inflationary adjustment is calculated.
He will go on to see things we wouldn't believe. Attack ships on fire off the shoulder of Orion. He'll watch C beams glitter in the dark near the Tannhauser Gate. And he will go on to give Blade Runner's Rick Deckard the biggest challenge of his life. Friday, January 8, 2016 marks Roy Batty's incept date, or actual birth day as any fan of Ridley Scott's 1982 sci-fi classic will tell you.
So, I recommend you get to see this very entertaining Star Wars parody. It's called Star Wars: The Force Awakens. Which strangely enough is the same name as the new Star Wars film that everyone says is the 'Dog's nuts' - strange bit of marketing if you ask me.
Quentin Tarantino's 'The Hateful Eight' is an audaciously clever and stylish dialogue driven bag of surprises that sprinkles tongue-in-cheek humour and blood over a snow covered Wyoming landscape...