If the Coen's are taking such a hit, then where does that leave something like Miike Takeshi's new movie? The next David Lynch? Though apart from consigning cult films back to the straight-to-DVD market, the bigger tragedy lies in the closure of many local picture houses.
Shane Black's 'The Nice Guys' is a zany, free-for-all, private eye odd couple, crazy comedy caper with great one-liners.
With great feminist knowledge, comes great responsibility. No longer will subliminal sexism go unnoticed in your favourite TV series, no longer can you re-watch childhood movies with ignorance at their underlying misogyny and no longer can you appreciate a cheeky rom-com without feeling like you've betrayed your own kind.
Throughout the comments sections of blogs and articles explaining disabled people's views are non-disabled people telling us we're wrong. Not just about the film but pretty much whatever we've said.
Fleming was born into a world of privilege, something often reflected in his books, and some of his views are outdated. But his writing is also vivid, full of imagination and insights gained from his time in naval intelligence. And even at its most fantastic his writing seems grounded in reality.
Given the unreal success of Tim Burton's Alice in Wonderland, it was inevitable, I suppose, that Disney would head straight to its sequel, Through the Looking Glass and What Alice Found There. But Alice Through the Looking Glass is a heartless adaptation. The poignancy of Lewis Carroll's moral lesson on how precious time is becomes lost in a CGI-fest that's all spectacle and no soul.
It breaks my heart that in the 21st Century an author and publishing company, then followed by an entire movie company, producer, director and cast, feel that the world needs this type of story. Don't create a positive exploration of what is truly possible for disabled people, instead let's just go the for the easy stereotype eh?
Optimists are more likely to feel that they can take charge of their health and not just passively slide into old age. They tend to take better care of themselves too. They sleep better, don't drink or smoke too much, exercise regularly and are freer from depression. They live longer and age more gently. It's worth cultivating optimism, believe me.
Let's be honest, it's not an exaggeration to call the creation of Star Wars the single greatest achievement in the history of mankind. So here's 39 gifs in celebration of just how amazing Star Wars is.
Forget the cinema days of dusty fold-away red chairs, flat pepsi, stale popcorn and stained carpets, for there are some far more exciting cinema experiences to be had that are a world away from your local Odeon. No longer does the experience start and end from the trailers to the credits, but from the moment you first walk through the venue doors.
As I've commented elsewhere, even though our stats are positive the research really does highlight a dire situation across the film industry. It has simply failed to support talented, creative women. It's time for industry to transform the talk and knowledge of shortfalls into action, and plan some proactive practical steps in order to actually make an impact.
Raising money independently for something so experimental isn't easy, so I agreed to make Convenience for the absolute bare minimum that was physically possible - £80k. This meant negotiating on everything, including health, sleep and what flavour Pedigree Chum we'd be serving for lunch, but it also meant getting the actual movie made.
THE JUNGLE BOOK Jon Favreau / Neel Sethi, Bill Murray, Ben Kingsley, Lupita Nyong'o / Adventure / 2016 / PG / 105mins Middle class mums everywhere ...
Occasionally, a mother will survive childbirth and middle age to attend their daughter's wedding but these characters have fairly minimal parts - see the interchangeable queens in Sleeping Beauty and Tangled who just stand around looking beautiful and worried. I can't ever imagine a Disney film where a 30 year old woman is the main character.
Sitting here, toasting both Lili and Gerda and the challenges they faced together, brought so beautifully to life in 'The Danish Girl', is a fitting reminder that, while Lili Elbe may have faced singular challenges ahead of her time, she was fortunate in one respect - that of being born in a country that can pride itself on its progressiveness, and a pioneering spirit she so evidently shared.
The other awards were even more surprising. In fact, most of them were odd enough to secure hearty boos from the journos sitting in the theatre next door to the main auditorium and watching the prizes on the video screen. Most astonishing was the lack of anything at all for Maren Ade's Toni Erdmann, a hit with almost everyone bar the jury.