London Fashion Week might have ended but we got close and personal with the most stylish fashionistas during the week. They do say the best place to scout new styles and trends are at London Fashion Week.
As shoe consumption continues to rise, it is vital that we stop the exploitation and poverty trap that women homeworkers find themselves in. The answer is not the knee-jerk reaction that some brands may advocate of banning homeworking from their supply chains.
The sweatshop outrage of the '90s didn't translate into real change, but today, the conscious fashion movement is starting to up its game. Here are three fresh tactics that are inspiring consumers, and particularly millennials, to drive a transformation of the industry.
As I mentioned in my post last season, London Fashion Week is usually something I love and loathe with equal intensity. However, this time round I absolutely loved everything about it, perhaps because I was more organised.
Bags don't necessarily demand a live show or presentation, I guess, and a presenting a film is a chance to carefully control the branding of the erm, brand. Already stocked at Net-a-porter, Harrods, Selfridges amongst others, I bet they'll sell bags of bags!
What is beautiful about A Century of Style is that it is not only for fashionistas, or photography enthusiasts, it also will appeal to anyone who has an inkling of an interest in culture - whatever age they are - seeing as this exhibition does end up in the 1920's.
Behind the glamour of London Fashion Week and the aspirational images in glossy magazines is the reality of the global fashion industry: a grim picture of women living in abject poverty, struggling to survive whilst making the clothes sold on UK high streets for major fashion brands.
Every once in a while, I find it beneficial to pause my eco mission and join the wider fashion crowd to see what's happening. An interesting and informative place to go is PURE London, arguably one of the UK's largest trade events for designers and fashion buyers.
I've long been in favour of taking the pantomime out of politics and that's especially the case with the weekly performance that is Prime Minister's Q...
Spring is upon us! And soon we'll be putting away the faux furs and boots in exchange for light and floaty attire ready to show more skin for warmer weather. London Fashion Week last year was just a teaser of what was expected this year, one thing I gathered was that the 70's are coming back!
The world and it's perception of beauty is changing, and in the UK, the black and minority population has doubled over the last 10 years, and the mixed race population is one of the fastest growing ethnic groups. I now see more and more advertising campaigns and magazine editorials that feature a wider range of ethnicities.
There are many, many other ways that we, the Greater Normal Public (GNP), can adopt and interpret the more wearable trends for Autumn/Winter. And what a delectable choice we have. From the stunning sequins of Preen to the gorgeous gowns of Emilia Wickstead; the drop-dead swoony dresses of Daks to the endless hipsta ensembles of Isa Arfen.
Don't wear any clothes that match EVER at fashion week. Street cool aims for a look akin to that petulant six year old on the tube whose exhausted mother allowed her to wear her Disney 'Frozen' dress over her dungarees because she wouldn't stop screaming.
Challenging the dominance of the white model, for example, in a country with a history of colonialism is an inevitable part of progress. It is about moving beyond the limitations of the past. High fashion would do well to be a part of this.
I have an obsession with beautiful things. Beautiful furnishings, beautiful food, beautiful dresses, beautiful music, beautiful photographs and definitely beautiful shoes.
From the age of 10 I was obsessed with models and fashion I loved the creativity and the glamour. I would look at these images and wish I to could look like those models in the magazines, being young and naive I was unaware about the hard work that is put into creating an image and that what I was really looking at were images of fantasy.