Apparently, Straight Outta Compton has made more money in its opening weekend than Selma did during its entire run. This may be disquieting news but it's easy to see why. Director F. Gary Gray pulls no punches with this boys from the 'hood made good story about NWA's incredible rise to prominence.
Amy Schumer's new film Trainwreck perfectly captures, with equal measures of humour and poignancy, how the modern world of sex and love has become spectacularly screwed up.
What a brilliant, bracing film this is, a character poem with the depth and lyricism of a John McGahern story, a contemporary classic untrammelled by easy answers.
The reason Lucas' prequels fell so flat was because of one character - Jar Jar Binks, a CGI abomination, a mood destroying clown that will haunt the collective consciousness of a generation.
Wolfpack is an engrossing story but I couldn't help wishing that a more skilful filmmaker than Crystal Moselle had stumbled across it.
NYPD corruption in the 1980s is revealed in Tiller Russell's gripping documentary 'Precinct Seven Five' - 'Theeb' is a coming-of-age and loss of innocence adventure at the time of the Arab Revolt in 1916 - 'Captain Webb' is the story of the Victorian hero Captain Matthew Webb...
We're over half way through 2015 and the feeling at the start of the year that it would be a banner year for cinema has proven to be true. By June, cinema admissions were 83.1m, which is up 10% from 2014 and the third highest January to June total since 1972.
'Marshland' is a stylishly visual, gripping and intelligent noir thriller. Alex Catalan's cinematography captures the isolated and desolate landscape as a character in itself, claustrophobic, brooding and menacing that hides secrets from the past, Julio de la Rosa's musical score is spot on and the lead characters are terrific.
You also don't have to watch it if you don't want to. You could just avoid it. Personally, and being a geek, even if it turns out to be a stinker I still like to see the new version so I can compare them and look and see what they kept in and what they changed.
There's enough good stuff that came before to make the final half hour bearable, but just a shame the wordy internecine shenanigans didn't come in the middle and the chase at the end.
Mission Impossible:Rogue Nation is tongue-in-cheek, frenetic, with stunts galore, nods to Hitchcock and Roger Moore's 80s Bond and is lots of fun...
For me, a film journalist and film programmer, the movies is where it matters. I'm over being precious and no longer want that juvenile desire of exclusivity - I want more mixed race, fluffy haired people on the posters outside Odeon and inside Picturehouse.
Spoiler alert: Spectre aspired to be the most enigmatic Bond film yet until it revealed to the watching millions online there would be, roughly, six major action sequences and one character, a 'Whitehall newcomer', would be an antagonist.
Two years ago I asked Edgar Wright what the tone of Ant-Man would be like. He was a little cagey naturally, but I had no idea within months he would ...
The more people try not to speak about someone's disability or difference, the more they'll end up stumbling - and it's very obvious to that person what's going on. And they won't be offended! I don't mind somebody acknowledging my height or talking about dwarfism. To be honest, if they're curious or inquisitive, I'd rather we did chat about it.
If this complexity sounds too smart for its own good, the cinematic equivalent of carting your child round the Tate when they've barely learnt to speak, it should be said Inside Out is funny and thrilling and wears a trim, throwaway savvy, the sort of cross-generational irreverence you get on The Simpsons or Sesame Street.