My new song genuinely came to me in a daydream, while I was trying to tune in my faulty DAB radio. I heard a snippet of news about this badly timed referendum* on staying or leaving the EU and suddenly it hit me hard how much I'd miss it if the UK, true to its tradition of recreational vandalism, managed inexplicably to kick itself out of this sophisticated European nightclub.
She was one of the finest, one of the greats. The wit was a reading wit: funny, intelligent, observant realism with a twitching sting. It was subdermal: deeper than language and timing; it fluttered in her stomach and it caught in her giggles. It knew pathos and pain. She understood her country, and helped to explain it. I don't think anybody identified with Alan Bennett's observations as much as Wood. They often used the same actors. She recognised the voices of his Talking Heads (1988/1998) and extended our time in their company. Whilst Bennett's were twitching curtains, and having solicitous affairs with Hindu shopkeepers, Wood's were elsewhere.
A haunting and aquatic intro draws you into 'Aphrodite', the second track lifted from 'Alpha', the sophomore EP from London-based singer-song writer and producer Sooski.
Over the next fortnight, HuffPostUK Entertainment is going LOUD & PROUD, where we'll be celebrating how gay culture has influenced and, in turn, been embraced by all fields of entertainment, inspiring cinema-goers, TV audiences, music-lovers and wider society with its wit, creativity and power of expression.
You would expect to find some guitars in glass cases at a Rolling Stones exhibition and you would be right, but the sheer amount of instruments on display was impressive. There was a sloppily part-painted Gibson Les Paul of Keith's from 1968, which, as the notes helpfully pointed out, was the result of an acid trip where Keith started painting his boots then spread to the guitar: "I was bored, waiting to go to jail."
Can we put this more recent decline down to Wogan? It hardly seems fair to pin it on one person and the dates show little correlation. However, Björkman's main point seems valid: that if as a country we see Eurovision as frivolous and odd, we're unlikely to send a serious artist (more to the point, a serious artist is unlikely to enter).
What Tom taught me is that it really is possible, if you have a singular talent and a huge amount of confidence, to go out and create the life you've imagined for yourself - even if that life is very different from the one you've been leading - and yet remain the warm, regular guy you were when you set off.
I work as Chair of the Featured Artists Coalition, which has spawned the International Artist Organisation. Together we represent the rights and interests of European music artists and creators. The EU is currently working on the Digital Single market. This is essential to our future. It is the future. An artist's job is to break down barriers, tear down the walls that separate our shared humanity. We are intrinsically international. We have never thought of ourselves as being isolated from the rest of the world. Our innate desire is to bring people together, to create community and union. We are the modern day explorers and pioneers.
Already one of the most divisive figures in pop history, calling Kanye West a cultural phenomenon feels redundant in a year that has seen him dominate Twitter feeds and gossip columns alike. With the supposedly definitive version of The Life Of Pablo finally with us, here's Ye's entire solo discography ranked.
Last Friday on my morning commute, something happened to trigger my memory of a pop song that was released at the turn of this century. It's a pop song which I now consider to be one of the best ever made, and that song, which I'm sure will come as no surprise, is the former number-two banger Kids by Robbie Williams and Kylie Minogue...
It has become almost a mantra, there's no protest music any more, discuss. In the mainstream maybe, though Beyoncé for one by following up her embrac...
I don't think it should be banned but I can't help thinking that it really does depict a very disturbing story. I can't help looking at it as an ex police officer - as if it really happened - thats because it has happened - all too often.
When the band I was in was gathering interest from the music industry in the mid 1970s, we weren't having to compete with Gerry and the Pacemakers, The Searchers, The Hollies, The Tremolos, the Four Pennies, Heinz, Wayne Fontana, Amen Corner and all those other great bands from the 1960s, because they had either moved on to other careers or had jumped to the cabaret circuit.
Every protest needs a soundtrack. The American civil rights movement was accompanied by Bob Dylan's Blowin' In The Wind - in Britain Thatcher's decima...
Quite unexpectedly in 2016, instead of sticking our girl power fingers in the air, we're going to be dusting off our combat trousers and pretending that we're just not that interested in anything.
Often dubbed the 'UK's oldest raver', Brighton's own legend, Disco Pete, is 80 years old this year and has literally danced his way through his retirement. He has a rather large following, with over 10,000 fans of the Facebook page his daughter set up.