Joanne Harris, author of Chocolat, wrote a blog piece recently about the disturbing practice arising at some book festivals, where authors are not paid for appearing. Her rallying cry was taken up by the Bookseller and the Society of Authors, which recently published guidelines about the level at which authors should peg event fees.
One of the few things I have done right (eventually) was managing to get a deal with Harper Collins and having my debut novel "The Darkest Hour" published in the USA and UK. Finally, I did something right. Except I didn't. I made a ton of mistakes as a debut author... so I thought I would list them here...
This book is not perfect, certainly, and I would advise anyone short on time to leave out the final fifty pages entirely - nothing of any great value would be missed. But, regardless of these criticisms, any work of historical theory which is written as well as this one is certainly worth looking at and - maybe with caution, in this particular case - taking to heart.
It's almost impossible to be really happy with something you've done yourself. But does the script best represent your writing? Has it got passion? Are any boring, overwritten bits definitely gone? Have you had enough feedback and done enough re-writes to be confident that this is your best attempt?
I'm often asked to write, or give talks at conferences or on cider-soaked park benches, about women and work. Women who write, women in business, women going back to work after having a baby, women deciding not to go back to work after having a baby, juggling motherhood and work, the work-life imbalance and so on.