Rising Star Tala Lee-Turton On What It Takes To Be A Professional Ballet Dancer

'I’ve yet to find another form of exercise that works every muscle in the body.'
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As a professional ballet dancer, 21-year-old Tala Lee-Turton knows just how much strength is required to execute the dance to a top standard.

“I’ve yet to find another form of exercise that works every muscle in the body to the extent of that achieved while dancing ballet,” she tells HuffPost UK. “Classical dance requires much concentration and perseverance, which are qualities I like to think come naturally to me.”

The Barnsley-born dancer’s talents led her to becoming only the third female Brit to train at the Bolshoi Ballet Academy - one of the oldest and most established schools for classical ballet training - in its 200-year history. 

Having secured a job at the Astrakhan State Opera and Ballet Theatre, Tala has just completed her first professional tour of the UK with the company. 

Here she takes us through an average week in fitness and food, proving life as a professional dancer is no mean feat. 

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TalaLeeTurton

My Journey 🌎

What do you credit to your success in your fitness journey?

“The catalyst to success was when I was training in a UK ballet school and was told one day that I would never make it as a classical dancer. I looked for a second opinion, found a Russian school in the UK that gave me back my belief in myself and they supported me in my audition to the Bolshoi Ballet Academy.  

“The Russian system gave me training that worked: relentless training, day in, day out, that was of a standard that helped me become the professional dancer I am today. I will be forever grateful for that.”

What’s one of the most memorable moments in your career and why?

“Dancing for many of my friends and family in the UK last year. I toured in the UK for the first time at the beginning of this season which was a wonderful experience; I was able to enjoy the familiarity of home while also performing practically every day and so improving my ability to dance the productions we brought on the tour (Swan Lake, Romeo and Juliet and the Nutcracker).”

Was there ever a low point where you wanted to throw the towel and how did you get past it?

“During my first year of working following my graduation, there were many difficult moments in which I questioned if it was worth it. I had elected to go with a touring company where I would have lots of opportunity to perform. But it felt like I wasn’t developing as an artist and, because of the crazy schedule, I wasn’t able to keep up with the standard of training I believed was necessary. In the end I decided that the only way to resolve my concerns was to search for a new direction. This is what led me to Astrakhan.”

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TalaLeeTurton

My Training 💪

Talk us through your week in fitness.

“Each day, my training starts at 10am in our theatre. Before class starts, I stretch for about an hour. Flexibility isn’t my strong point so I have to work hard at this. Then it’s time for the class. Class lasts for an hour and a half. We begin with barre (I do this on pointe), then move on to centre work, through jumps and turns on pointe. We then go straight into rehearsals for the rest of the day. 

“If we don’t have a performance, rehearsals can go on until late, depending on what out upcoming schedule looks like. Following the last rehearsal or after the performance, if we have one, it’s important to stretch out your body again. Before I go to bed, I will take 45 mins to an hour to carry out a set of stretches that release the main, largest muscles of the body.”

What’s your favourite type of workout and why?

“When I’m not dancing I really love to go to hot yoga classes! They are the only type of exercise I find works your body as much as classical dance.”

What’s your favourite way to spend your rest day?

“Our day off is Monday, which I usually spend cooking a big brunch. For me, cooking helps me relax. Plus, I love a good film and book.”

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TalaLeeTurton

My Food 🍳

What do you eat throughout the week to complement your training schedule?

“I tend to eat lots of protein-based foods, such as eggs and tofu. I’m vegetarian, so I make sure my protein intake is sufficient anyway, however, I’ve realised that I can train much more efficiently on a larger amount of protein in relation to the other food groups. I eat many different fruits and vegetables plus a good deal of raw chocolate.

“I also love to cook. I enjoy discovering fascinating new food combinations, especially making the most of vegetables, and trying them out myself.”

What are your pre and post-workout snacks?

“Always, always raw chocolate.”

What’s the biggest lesson you’ve learned about food?

“I’ve found that diet is such a subjective thing; what is good for one person is not necessarily the best option for another. If I eat something and afterwards feel it has helped me get the most out of my day (be that a tough day of rehearsals or a relaxing, recuperating day off), then I’ll continue to eat it; if not, I won’t.”

My Motivation 🙌

How do you stay motivated?

“I watch and read as much as I can; I’m always inspired by a newly-discovered film, book, ballet or show. It’s my aim to constantly improve so watching dancers I admire always pushes me to try and use the qualities I’m impressed by in them to further my own technique.”

Do you have any specific goals you’re aiming for?

“I aim to be able to create my own work some day. I would like to give form to lots of my own ideas, allowing me to truly create something rather than constantly dancing other people’s work.”

What’s your ultimate workout track and why?

“This changes all the time. But at the moment I have a playlist of Foster the People, the Killers, Lorde, Madonna, Bowie, the White Stripes and others.”

Before You Go

Ballet Dancers Changing the Landscape
Misty Copeland(01 of13)
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Misty Copeland became the third African American female soloist at the American Ballet Theater back in 2007. Since then, she's spoken openly about racism in the dance world. "[Ballet is] such a traditional and historic art form that people are afraid to change it," she said in an interview with New York Magazine. "But I think it has to if it’s going to last in the world we live in today. It's hard to change someone’s ideas when they might not even really consciously know that they’re being racist, or have racist ideas, just because ballet has been this way for hundreds of years."
Her new Under Armor ad has been making waves online, effectively conveying a contemporary interpretation of what it means to be a ballerina.
Yuan Yuan Tan(02 of13)
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Yuan Yuan Tan is a principal dancer with the San Francisco Ballet. In the late 1990s she became the youngest principal in the company’s history and the first Chinese dancer to be promoted to that level.
Shannon Harkins(03 of13)
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Shannon Harkins was 13 years old when The Washington Post called her "the face of African American ballet dancers' struggles." At that time, she was the only African American girl at Level 7 at the Washington School of Ballet -- the highest pre-professional level.
Desmond Richardson(04 of13)
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Desmond Richardson is the co-founder and co-artistic director of Complexions Contemporary Ballet, a company that seeks to reinvent dance by creating an open environment that embraces multicultural forms of movement. Richardson also performed as a principal dancer at the Alvin Ailey American Dance Theater for seven years.
Natalia Osipova(05 of13)
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While Natalia Osipova may look like the stereotypical image of a ballerina, her viewpoints express anything but. "I am not interested in sporting diamond tiaras on stage, or having my point shoes cooked and eaten by my fans," she explained to The Spectator this year. "Ballet has evolved and the ballerina figure with it. The world around us offers new challenges, new stimuli and new opportunities, and I believe that it is the responsibility of every artist to be constantly ready to respond to these. There is simply no reason, nor time, to perpetuate century-old clichés, such as the remote, semi-divine figure of the 19th-century ballet star."
Osipova's attitude eschews the celebrity of a glamorous field, and we can't help but love her progressive tone.
Chehon Wespi-Tschopp(06 of13)
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Chehon Wespi-Tschopp became America's Favorite Dancer back on "So You Think You Can Dance" Season 9. Being the first male contestant to identify first and foremost as a ballet dancer, he brought the art form into the realm of mainstream television.
José Manuel Carreño(07 of13)
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Born in Cuba, former ABT star José Manuel Carreño is the Artistic Director at the Ballet San Jose. After dancing as the Prince in "Swan Lake" as his final performance, he ventured from New York City to Northern California to lead the financially-troubled company.
Wendy Whelan(08 of13)
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Wendy Whelan has become something of a figurehead for veteran dancers, advocating for financial support and career services for ballet icons nearing retirement. “We are not supported federally at all once we leave the ballet. There is no support whatsoever, financially or insurance wise for dancers in the United States."
After 30 years at the New York City Ballet, the principal dancer will bid her adieu this October, with plans to continue dancing with the likes of Edward Watson and the folks at Manhattan's City Center.
Cassa Pancho(09 of13)
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Cassa Pancho is the founder of Ballet Black, a company devoted to inspiring opportunities for "dancers and students of black and Asian descent."
"All through ballet school I was really aware of the lack of black people around me," she explained to The Guardian. "So for my dissertation I thought I would interview black women working in ballet and see what they had to say –- but I couldn't find a single black woman working in ballet, and that really stunned me. When I graduated, I decided, very naively, to do something about it myself."
You can read more about Cira Robinson, Damien Johnson and Sayaka Ichikawa -- all senior artists at Ballet Black -- here. (Photo of the company by Bill Cooper.)
Carlos Acosta(10 of13)
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Cuban-born Carlos Acosta, a principal guest artist at The Royal Ballet, has spoken openly about the lack of representation in ballet.
“The percentage of classical black ballet dancers around the world is sadly minimal, which is quite embarrassing,” Acosta has said. “In most companies, when a talented black dancer is chosen as a member, they don’t know how to cast them properly. Still, there is this mentality, especially with directors, that a black ballerina in the middle of a flock of white swans would somehow alter the harmony.”
Sylvie Guillem(11 of13)
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Sylvie Guillem made a name for herself after leaving the Paris Opera Ballet to become an international freelance ballerina. Now in her late 40s, the woman bold enough to appear on the cover of French Vogue nude and without makeup (long before the makeup-free selfie craze) is happily bursting through barriers between the modern dance world and ballet with works like "6000 Miles Away."
Shiori Kase(12 of13)
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Tokyo-born Shiori Kase is a soloist with the English National Ballet who recently wowed critics in the London staging of the "psycho-thriller" ballet, "Coppélia."
Michaela DePrince(13 of13)
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Sierra Leone-born Michaela DePrince spent her early years in an orphanage after her father was killed during the civil war in her country. After being adopted by an American family and entering the world of ballet, she was told at the age of eight that America wasn't "ready for a black girl ballerina." Despite her challenging childhood, she's gone on to win a position in ABT's preprofessional division and the Dutch National Junior Company.