filmmaking

Though it's still business as usual for the UK film industry, changing audience demographics, tax reliefs, on-demand streaming and funding strategies are changing the day-to-day process of the way films are made and consumed in the UK.
These days everyone and their DoP are making short films, so it is more difficult to stand out from the crowd and deliver films that truly wow an increasingly tired audience. It's no longer a simple case of sticking a cat in a suit and telling it to improvise, you now have to put effort in.
A couple of years ago I met filmmaker Jane Clark in Cannes as she was taking the first steps on her journey to make a fun horror called Crazy Bitches
In 2013, I self-distributed my movie Papadopoulos & Sons into theatres with a print and advertising budget of just £40,000. The film achieved the second highest screen average in its opening weekend, beaten only by Oblivion with Tom Cruise. These are my top 10 tips for indie filmmakers also considering self-distribution.
At the risk of sounding all "Eeh, in my day it were all fields around here", which is never a good look, (especially when the day you're talking about was only about a decade ago), I think what the new generation of filmmakers need more than anything else is some obstacles.
Henry Moore was one of the most successful and recognised visual artists of the 20th century, and someone who I had the great pleasure of meeting and working with when I came out of art school in Toronto in the 1970s.
I got to know Shane Abbess in 2009, when we started collaborating on my graphic novel series, The Hunter. Anyone who's ever read anything about Hollywood will know the movie business demands that people earn their stripes.
I started Raindance in 1992 when many of the filmmakers submitting to this year's film festival were still in nappies.There is a consistent theme amongst the approximately 100,000 filmmakers who have submitted films to Raindance since then: Passion.
On Tuesday 11 November, the fifth UnderWire Festival will open at The Yard in Hackney Wick, founded by Gemma Mitchell and myself in 2010 with the aim to foreground female filmmaking talent... Unique to UnderWire, films selected for this award are of women's stories and feature female characters at their core.
Many of the advancements in filmmaking and distribution techniques have had their birth courtesy of the porn industry. Filmmakers can improve their techniques, and their financial returns by looking at the lessons learned by their colleagues in the sex industry.