Kathy Griffin's exit from E!'s Fashion Police, after just seven shows, may come as a shock, but the presenter's leaving statement makes more than a few pertinent points. Namely, that the days of poking fun and (often nastily) joking about women's style decisions are over. THANK GOD.
Although I never came across the phrase "A-list" while at the agency, I began to think of the client list in terms of a "postal list". That is, ranking clients according to the postal mode used to deliver their scripts.
We are currently in the middle of awards season fever. The endless stream of ceremonies, celebs on red carpets and acceptance speeches occupy our TV screens and keep us in high spirits through the winter months, as well as giving us plenty of talking points.
The Golden Globe Awards are the cool, relaxed relative to next month's Academy Awardshere's a breakdown of the red-carpet styling with peplums, sequins, colour and Katrantzou.
Whilst many could claim that Eurovision has become dated and over politicised, very few could argue that it produces some of the most dramatic, outlandish and sometimes downright bizarre outfit choices.
With this year's Cannes film festival now in full swing, thought it was worth sharing a Cannes travel story with a difference. In 2012, we dared to dream the impossible dream. From a wet and windy West Yorkshire all the way to the world's most glamorous film festival.
Bafta is known for celebrating excellence at ceremonies such as Sunday's Arqiva British Academy Television Awards, but it also engages in activity to help a diverse range of talented people to develop and grow in their careers.
The annual celebration of all that is kitsch, camp and quirky in European music comes to our screens this Saturday at 8pm BST, from Malmö, Sweden. We've watched both semi-finals and as many rehearsals as we can to give you a taster of what to look out for (and when to take a loo/fag/cuppa break).
The Great Gatsby is stunning, but it's meaningfully, provocatively stunning. This isn't just awesome spectacle for spectacle's sake. Luhrmann uses sensory overload in a similar way to Harmony Korine in Springbreakers - to disorientate the audience and send them reeling into a hallucinogenic whirl.
Given we are in an age where traditional media, entertainment and communications are all being bulldozed by a digital, non-location specific cloud approach, standing there with arms crossed refusing to let this international celebration of film spread its glory globally, looking much like an incorrigibly stubborn little Oscars statue, is surely quite backwards.
We should, I think, cut Hollywood some slack. It is easy to forget that history is all about dramatic license. Who wants to read a boring account of the past? Which historian does not want to spice things up? And even as far as flaws, errors and distortions go - well, bring them on.
Ok... I was waiting for the funny to happen... and it never showed. We're used to it, I suppose... we suffered the unbearable Ricky Gervais as host for far longer than we should have had to. But... wow... wasn't Seth MacFarlane awful?
MacFarlane will never be everyone's cup of tea, but the show's organisers would have known this.
It's a film that all can enjoy and be surprised and amazed by.
This year's Oscars ceremony was unique in many respects. Ang Lee's Namaste only highlighted this uniqueness. Although the function itself was very much American in its outer trappings, the spirit reflected the effect of globalising on one of the most prestigious film awards.
Based on the best-selling novel of the same name, Cloud Atlas is a sprawling epic, historical, science fiction film that covers six distinct time periods from early settlers in the United States to a post-apocalyptic savage land after the 'fall of humanity' and it's quite unlike almost any other film around.