Year on year, the amount of time set aside to covering Glastonbury seems to increase. The Worthy Farm extravaganza also seemed to appear in every news bulletin. Undoubtedly it is the UK's most famous music festival, but that is all it is. A music festival. Singers performing on a stage in front of thousands of people is not a news item.
"A foster carer treats you like family, like their own children."
If more people are going to see films like 'A Sinner in Mecca' then we need the world of religious documentaries to evolve. So is there a potential for religious documentaries to go online? Yes!
This is a review of a BBC television series so good, so expertly plotted, so professionally edited, and performed by such talented actors and actresse...
As for the BBC, rather than auditioning a load of car buffs, they'd be better off going to the pub with Chris and finding out which of his mates were the best laugh. Who cares if they don't know their Toyota from their Motorola, that's what the researchers are for, right?
You might have read yesterday's story in the Daily Mail about how much of the licence fee goes on funding our programmes. I wanted to explain why the Mail's interpretation is misleading. The paper's central accusation is that the BBC's income is approximately £5.1bn and only £2.4bn of this goes on 'content'. The implication they leave is that much of the rest of the money is wasted.
Musical lines are blurring and it seems we are finally moving on from the days of musical snobbery into a world where words like 'Pop', 'Folk' and 'Blues' simply don't mean as much as they used to.
We are incredibly privileged to be running a festival of this sort in London and we try and give something back to the community that supports us - not just seed funding for one film project a year but through a whole panoply of workshops, meet-ups and networking events.
What is perhaps most worrying about all this is that is coming from what is usually a fairly impartial service (many will disagree with this statement, but the disagreement will come in equal measure from both the Left and the Right, so I am content). If the relatively benign BBC genuinely believes this sort of show is acceptable, what on earth are other, more radical channels and tabloids cooking up?
I'd have written this blog sooner, but I have a learning disability. In my case this means I can't learn as fast or work as quickly as other people. My brain also tires more easily and like an old battery, can go flat.
Working class representation in our media is all too often dominated by the feckless, the workshy, the scrounging in order to represent them as the tip of the iceberg, rather than the exception to the rule. It doesn't take much to work out why the middle-class, public school dominated media continue to maintain the fallacy that people at the bottom of society don't deserve our sympathy. Yet, the BBC used to know better, it is a shame it doesn't now.
The UK employment gap between white and minority communities is worsening and will continue to widen if this issue isn't addressed.
Although the future of the BBC is likely to be the most high profile part of John Whittingdale's portfolio; technology - as a job enabler and creator - will no doubt also be a key priority. Here's my take on the top five tech issues likely to be sitting in the ministerial red box
Politics, human rights, popular culture: in all these aspects of life in the UK, we seem to be at odds with our relationship with our continental friends.
Most mornings I do almost pinch myself. I feel very fortunate to be filming a comedy on the BBC. It feels like a bit of a dream. However there's something missing - my first love. I know we can't have everything, but what I would give to be transmitted back to those hazy radio days for just a few hours.
The World Cup in Qatar had another public relations hit recently, when a press relations exercise went badly wrong - a real 'D'OH!' moment in Doha... ...