As a sales pitch, perhaps it leaves something to be desired. "Pay more, get less." Who could resist? Yet for reasons that I have never understood, that's exactly what's on offer from those people who argue that it's time to scrap the BBC licence fee and switch to some form of subscription-based financing.
Perhaps now more than ever, with cinema ticket prices at astronomic highs, trailers are of increasing importance. For most people, a trailer will be the first impression one gets from a movie... A trailer shouldn't stand outside in its Y-fronts in broad daylight, swinging the script over its head and screaming the ending at the top of its lungs.
Expecting little more than an hour of light entertainment, I was surprised by just how much the show struck a chord with me, and how universal my experiences as a fresher seemed to be. It's still somewhat of a taboo to talk about how disheartening and isolated the first months at university can feel.
I spoke to Rou Reynolds (vocals) and Rob Rolfe (drums) on the night of their much anticipated return to the live scene. A homecoming show, on the eve of a stint of global touring hitting Russia, Eastern Europe and the United States before coming back to a huge slot on this year's Reading and Leeds main stage.
Not much tends to exceed expectations, especially when you're talking about the most well-loved festival on the planet, Glastonbury. But come Monday, I walked away from Worthy Farm with my mind blown at just how peaceful and well organised this festival was... yet Glastonbury seemed to break all the rules that most festivals push so hard. So what is it that Glastonbury does so well?