The first third of Riddick drags like a wet bank holiday Monday, or a party political broadcast in bullet time. Despite being stranded on a planet full of a ravenous dingo-type predators, our hero manages to fend them off, pinches one of the cubs/puppies (reminiscent of Scrappy-Doo in the Scooby-Doo live-action version), and clashes with assorted scorpion-like beasts.
As director Neill Blomkamp says in the foreword, this book offers a "peek behind the curtain" of the film's journey to the big screen. He discusses his influences and thinking behind the making of the film - and we get to see some of the 3,000 pieces of concept art that were made even before anyone walked onto a set.
As much as I'm sure we'd all like to know, ultimately, it's none of our business. When we get down the nitty-gritty, and if we're really honest with ourselves, we're just being nosey... even if we're being well-meaning. Jennifer's a lovely woman, I'm sure she'd make a great mum but... it's also, ultimately, still none of our damn business.
The reaction to the Batman/Superman film literally brought tears to some fans' eyes at Comic-Con on Saturday. A project which previously failed to take off with Wolfgang Petersen at the reins in 2004, it is an aggressive and bold effort by DC Comics to match Marvel's output. But it is the wrong approach and demeaning to Batman, a character who has just fronted three thrilling pictures.
Movies have always cast predictions about the future of science and technology. Sometimes they conclude that the future's bright. Exciting. But most of the time? It's bleak. There's death. Destruction. Misguided Will Smith adaptations of classic novels. The conclusion we can draw from Hollywood about futuristic tech is that it's dark, dangerous and not to be trusted.