As director Neill Blomkamp says in the foreword, this book offers a "peek behind the curtain" of the film's journey to the big screen. He discusses his influences and thinking behind the making of the film - and we get to see some of the 3,000 pieces of concept art that were made even before anyone walked onto a set.
As much as I'm sure we'd all like to know, ultimately, it's none of our business. When we get down the nitty-gritty, and if we're really honest with ourselves, we're just being nosey... even if we're being well-meaning. Jennifer's a lovely woman, I'm sure she'd make a great mum but... it's also, ultimately, still none of our damn business.
The reaction to the Batman/Superman film literally brought tears to some fans' eyes at Comic-Con on Saturday. A project which previously failed to take off with Wolfgang Petersen at the reins in 2004, it is an aggressive and bold effort by DC Comics to match Marvel's output. But it is the wrong approach and demeaning to Batman, a character who has just fronted three thrilling pictures.
Movies have always cast predictions about the future of science and technology. Sometimes they conclude that the future's bright. Exciting. But most of the time? It's bleak. There's death. Destruction. Misguided Will Smith adaptations of classic novels. The conclusion we can draw from Hollywood about futuristic tech is that it's dark, dangerous and not to be trusted.
Man Of Steel is such an omnishambles that it is difficult to ascertain what Zack Snyder was actually attempting to achieve... If Snyder set out to make a serious and brooding Dark Knight-style superhero film, then he has failed spectacularly as Man Of Steel has a total absence of character exploration, interest in a believable villain or real, live-action jeopardy
If you haven't checked out Vine, I recommend it. You get 6.5 seconds to make a simple stop and start, edit when filming, movie. You touch the screen and it records, lift your finger from the screen and it pauses. That's it, 6.5 seconds of barbaric jump-cuts. What's weirdly enchanting is its absolute gluttony.
The depiction of Liberace's Las Vegas spectaculars are particularly well done; perfectly capturing the showmanship that made him the world's highest paid entertainer. In the modern age of motion capture and CGI, it is not often that one is baffled by special effects, but the footage of Douglas shredding up the piano keys with a virtuosic Boogey-Woogey is jaw-dropping.