Mollah's ideas tie in to a growing complaint from the student movement at the moment - that their education is stuffed to bursting point with white, dead men. Recently, the University of the Arts London addressed this very issue, branding their courses 'stale, pale and male.'
Is not fame the giving and taking away of faces? Celebrities are defaced and labelled by the media and the public on a daily basis: we've all criticised at least one celebrity for their actions and choices.
Caitlin Moran's article came out and it struck a chord. And then I got my guitar and struck a few more. I realised that because of the day to day work I do on Save Soho, I hadn't actually made any music for months. But out it came. Like a storm that had been brewing in the back of my mind for months.
Music is a great distraction for stress and helps with productivity in the work place. Here are five head nodding songs I believe will make your working week fly by, or at least, more bearable.
He's sold over 50million records and counting and transcends geographical boundaries and age barriers. He is the Michael Jordan of R&B. But don't take my word for it. Check out the facts...
Anyone who remembers Gary Numan from his heyday will picture a cold, distant robot like character who sung of alienation and a dark future. While the songs of alienation are still key to his art, the man himself now takes on the persona of a preacher spreading the word to the converted.
Since their earliest days as one of the progenitors of the Doom/Death Metal subgenre, Liverpool's Anathema has never stuck too closely to the script.
My relationship with Eurovision has always been ambivalent. There were so many bad memories as well as good ones associated with it... Particularly as the BBC of the time presented their cold face of moral rectitude in censuring me for being named in the divorce case of someone I believed I was engaged to and who turned out to already have a wife. Rolf Harris, his manager, his director and the BBC conspired to have me removed from his TV show in which I was presenting the six Eurovision songs to the viewers. They did not want me to harm his reputation as a family entertainer...
Since the end of the 90s, music seems to have given up on politics. This seems shockingly strange considering that the noughties saw the world's worst terrorist attack, controversial terrorist legislation and a couple of illegal wars instigated by the West.
If Kanye isn't quite to your refined taste either, and you're 100% positive that you don't want to witness his headline set, then I'm sure you'd be able to find alternative entertainment at the festival, right? As anyone who has been to the festival will tell you, there's a whole other world to Glastonbury than the Pyramid Stage!
It is going to be a stellar couple of months for alt-rock releases from the north of the border and whilst the likes of Mogwai may dominate the music press column inches, it could be Halo Tora that make the most waves.
If we can all agree on anything, it's that Kanye takes himself very, very seriously, and he's not a man who's going to mess up the biggest performance of his career so far, at one of the most famous festivals in the world. Don't believe me? Here's why he'll blow everyone away...
Let me be free. Let me be me! Don't make me old, with your thinking and words about how I should be. You don't have to come to my shows. I am giving tremendous energy with my voice, because that is me. Get my energy or shut up. A critic of my show I did on my 80th birthday. You wanted me to be coming in at the same time on the top of the bars with the tracks. Well, I like to syncopate my voice to come in before or after the music notes, not right on top of the tracks, you see. That's done in classical music, also. Remember? Yes.
"I've always been driven by what people want and not what I like," says Pete Waterman OBE. "I'm lucky enough to have come into this business seeing The Beatles before they were The Beatles, when they were John Lennon and The Silver Beetles.
No matter how much anyone against Kanye West headlining on Glastonbury's Pyramid Stage claims it's nothing to do with racism or hip hop (a genre of music intrinsically tied to black people and the black experience), I can't help but feel uncomfortable and unsatisfied with these denials.
It's easy to see why we're still enjoying the tale of Fraulein Maria and Captain von Trapp and his unruly brood half a century after its debut. Cosy and corny as it may be, the film touches on all the timeless biggies: identity, belonging, desire versus duty, good versus evil and age versus youth.