Since 2006, I have built up a reputation for being a "media magnet," talking and writing about the big reality TV shows like X Factor and Britain's Go...
Arts Council England funds all kinds of music, but one area where we haven't been seen as players is in pop music - however you define it.
Needless to say that the X Factor has changed my life and has allowed me to do things that perhaps I wouldn't have had the opportunity to do before, such as become involved in some really important charity work and organisations.
The harsh reality isX Factor won't be around forever. Reviews still need to be given, new talent needs to be found and the future of ordinary people being given the opportunity to be discovered needs to continue. So, The Voice UK, for a few months, I am all yours.
So many significant events occurred last year that Billy Joel could probably rewrite the lyrics to We Didn't Start the Fire and it would still end up being longer than War and Peace and Stacey Solomon: My Story So Far put together. Even the normally calm world of showbiz wasn't spared a flood of stories, from The Only Way Is Essex winning a BAFTA to everyone from Jeremy Clarkson to Ryan Giggs taking out super-injuctions.
At the Leveson Enquiry this week, Richard Desmond told the barrister cross-examining him that he didn't know the meaning of the word 'ethical'.
UK X Factor 2011 winners Little Mix (who were the first group to ever win the X Factor) were beaten to the Christmas number one by the Military Wives Choir, but how did it play out?
With the X Factor now a laughable parody of itself, it's a brave move of the BBC to reinvigorate the genre with The Voice. And sure, there'll still be viewers questioning the presence of a talent show on BBC One, but consider this: a chunk of the licence fee is earmarked for entertainment regardless, so it might as well be done properly. And that's just as much a plea to the BBC as it is a polite middle finger to the naysayers.
So long 2011 television, it's been emotional. Alfred Hitchcock once said that television "has done much for psychiatry by spreading information about it, as well as contributing to the need for it". Now, he may well have said this during the previous century, but if you told me he said it having just watched an episode of Desperate Scousewives I'd totally believe you.
Just because Caroline Flack wants to find a husband in 2012, it doesn't mean it's Harry Styles. Apparently Ladbrokes are taking bets with odds at 16-1. I wonder what the odds are on leaving them alone?
Love it, hate it or indifferent to it, interesting things surround the social media world of The X Factor - especially from a programme making perspec...
It's becoming difficult to keep up with just how many high points keep popping up through this campaign. It really is shaping up to be quite a ride.
Eyebrows raised (sharply!) at the news of the relationship between Caroline Flack, 32, and 17-year-old singer Harry Styles and she quickly became the victim of public hatred. But with Hefner, Stringfellow and Ronnie Woods all known to date women half their age, isn't this just a case of double standards?
What does X factor, the SNP and this summer's riots have in common? It's that they force the English to look at themselves and to point to a new English identity that is not in any part British.
It was hard, unearthing deep wounds of my childhood, but much like the documentary, if people knew me and had a better insight, then hopefully that would bring understanding and acceptance.
Indeed there is no shying away from the parallels in this exhibition with so much modern entertainment. Celebrity worship is another human constant; and with celebrity, as any Hugh Grant or Steve Coogan knows, comes sex, obsession and the baying British press.