London based freelancer who writes on film, music and TV for the Financial Times, Little White Lies, The i, Google Arts and other culture publications. Roughly 90% of my general knowledge comes from years of watching The Simpsons.
To celebrate Bob Dylan's much deserved Nobel Prize for Literature I've chosen some of my favourite lines from his poems below. If you're still feeling indignant about how a 'musician' could win a prestigious literary award, don't think twice, it's alright.
In a post-Duchamp world where anything goes, sh*tting in a box, scrunching up some paper, crawling on glass, or putting a shark in some jelly all seems a bit pointless and boring. If you want to create an artwork that's really shocking today, pick up a paintbrush.
Television shows (and all fiction) that examine and demonstrate the complexity of human emotions, alongside an engaging narrative, are, in my opinion, always the most intriguing and enduring; Frank Underwood's theatrics and his brutal ruthlessness wears thin after a while.
Whilst the rest of the UK went in their thousands to watch this year's Oscars' front-runner Birdman at the start of last month, I had to wait until last week before I could go see what all the hype was about.
09/02/2015 12:26 GMT
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