Man Of Steel is such an omnishambles that it is difficult to ascertain what Zack Snyder was actually attempting to achieve... If Snyder set out to make a serious and brooding Dark Knight-style superhero film, then he has failed spectacularly as Man Of Steel has a total absence of character exploration, interest in a believable villain or real, live-action jeopardy
If you haven't checked out Vine, I recommend it. You get 6.5 seconds to make a simple stop and start, edit when filming, movie. You touch the screen and it records, lift your finger from the screen and it pauses. That's it, 6.5 seconds of barbaric jump-cuts. What's weirdly enchanting is its absolute gluttony.
The depiction of Liberace's Las Vegas spectaculars are particularly well done; perfectly capturing the showmanship that made him the world's highest paid entertainer. In the modern age of motion capture and CGI, it is not often that one is baffled by special effects, but the footage of Douglas shredding up the piano keys with a virtuosic Boogey-Woogey is jaw-dropping.
Brad Pitt could soon hold the ignominy of presiding over the biggest flop in film history. World War Z, which originally had a budget of $170million, but has now ballooned to a reported $400million. That is a huge $100million more than Pirates of The Caribbean: At World's End, which is currently the most expensive film ever made.
Our journey with WE WENT TO WAR started on a rainy afternoon in London in December 2007. In between developing project ideas with Michael, I was slowly making my way through his extraordinary five decade back catalogue as one Britain's great documentary filmmakers. Today it was 'I Was a Soldier' (1970), possibly the very first sustained treatment about soldiers coming home from the frontlines of Vietnam.
A critic for the Chicago Sun-Times for forty-six years, the Ebert era has bracketed the better half of film history. Unlike the fanatical doctrines of Pauline Kael, the humility of his observations broke through the cultural feudalism of cinema snobbery to land right aboard the brains and the breakfast tables of the American family. With syndication in more than 200 national newspapers, his voice of easy reason trickled from Chicago to Hollywood.
Although the film is a little untamed and features some baffling choices in terms of story, there is a lot within Trance to enjoy. Danny Boyle's stylish direction helps to smooth over the mistakes within the screenplay and results in a gripping, interesting and hypnotic crime movie that for the most part keeps the audience guessing.