It's no secret that here in the UK we have a whole host of talented individuals, from superstar footballers to incredible actors, and more - and more - of them are heading overseas to find more fame in the bright lights of Hollywood and beyond.
This Disney epic was shot on a relatively modest budget ($50m); a Sondheim adaptation clearly more risky than their pending version of Cinderella. Sometimes less really is more, and as we all know, you don't need to spend a fortune to make a great movie.
Nicholas Hytner's Othello was so good I saw it twice. It's not the first time Sir Nick has wowed the critics. And I somehow doubt it will be the last. I perch comfortably outside his office, staring at black-and-white action shots of hit after hit: Adrian Lester in Henry V, Simon Russell Beale in Much Ado About Nothing, James Corden in One Man, Two Guv'nors. If there's such thing as a grammar of theatre, Hytner is fluent in it.
Aside from getting confused about how anyone can listen to more than three dubstep tracks in a row without feeling like they need a shit, I am wary of criticising anything or pretending that it was much better in my day.
Winning Best British Single at this year's Brit awards was a win for One Direction, but an even bigger one for Twitter. There is no denying What Make...
James Corden is comedy gold dust. Watching him I was reminded of the greats - chaplin, cooper, laurel, hardy, even the boundless physicality of lee evans came to mind. Corden does farce as good as it gets.
Whenever a sold-out play is garlanded with the sort of critical superlatives that lead to lengthy queues forming at the box office come returns time, there's always the worry that it's going to be a case of hype over delivery.