Perhaps now more than ever, with cinema ticket prices at astronomic highs, trailers are of increasing importance. For most people, a trailer will be the first impression one gets from a movie... A trailer shouldn't stand outside in its Y-fronts in broad daylight, swinging the script over its head and screaming the ending at the top of its lungs.
I've somehow managed to avoid writing about Frozen up until now. This is incredible considering how much of my life it seems to have taken up recently. Now of course Frozen has a moral message about the importance of family and love and blah blah blah. I'm not too interested by that part of it. So instead here are the really important messages I want my girls to take away from Frozen.
How does it rank against the other three films? Well it's possibly the best TF movie since the 2007 original. Long, yes; occasionally incoherent, (Mark Wahlberg seems to ignore full stops in his script), and it features some awful CGI - the enemy robots are made from gravity-defying blocks that appear to have no weight or heft, making them look like a bad video game cut scene.
I have no doubt we'll soon see lightweight gimbals marketed at consumers who are tired of shaky footage of their holidays or the kids' sports day. When that day comes, people will be able to have high quality, smooth movement to go with their HD cameras.
They were cheesy and full of bright colours, big hair and even bigger shoulder pads, but the 80s were a seminal decade for movies. I know there are some notables that haven't made the cut, but I can't include everything. That is the nature of lists. They start and they end.
It was my second day as a HuffPo intern... I noticed an owl flutter past the window with a letter clutched in its beak. An owl?! During day time?! In Central London?! What more, the letter was addressed to me, 'Miss Vicky Chan, Desk by the Kitchen, Capper Street, London'.
Is there anything to say in drama about politics when all the drama has been carefully squeezed out of real politics?
How much exposition do you need in a film? Those clunky scenes when characters discuss plot, stitching Scene A to Scene B? Obviously film is a visual medium, so in theory nobody needs say anything.
I've made a film called Leave to Remain - an odd title that displays the absurdly English wordplay that describes the 'permission' that the home office grants asylum seekers to give them 'leave' to 'remain' in this country either definitely or indefinitely. It's a fitting title for the wilfully confusing system that determines worthiness for refugee status.
Much has been made of how the two girls in the Zoffany painting inspired my writing of Belle. As important to me was the invisible third person in the painting, the man who put them there in terms of such equality: Lord Chief Justice Lord Mansfield. From the outset I went in search of the historical Lord Mansfield and I found him between two judgements....
The film-makers treat the audience with a degree of respect, and even though many of the gags seemed to go over the heads of many teenage cinema goers, for a fan of meta comedy such as Mike Myers' finest works, this was like catnip.
'Of Horses and Men' is extraordinary, quirky, adventurous and inventive. A tale of love and death, wonderfully absurd and unique...
X-Men: Days of Future Past opens with a vision of what is to come; a smoking, smouldering post-apocalyptic wasteland where the few remaining mutants shelter in the barren crags, darting through the rubble, trying to avoid extermination at the hands of sinister, implacable robots - the Sentinels.
The public has grown sick at heart. It has grown bored, and in growing bored, has itself become boring, today incapable of expressing any idealism owing to its new-found impotency, borne of the satiation of its sensual needs.
The Syria crisis may have fallen off the news agenda, but it hasn't gone away. Every month around 100,000 Syrians become refugees. Again and again I was told the humanitarian situation is extremely fragile and critically underfunded, but there was enormous praise for Jordan - not a rich country by Middle Eastern standards, yet it is showing great generosity towards the Syrian people. This is an international crisis on an epic scale. It's a matter of global responsibility - Jordan and the other countries neighbouring Syria should not be bearing the brunt of this alone.
Oscar Grant (Michael B. Jordan), a 22-year-old Oakland, California resident wakes up on the morning of December 31, 2008 and feels something in the air. It's a sign that he needs to be a better son to his mother (Octavia Spencer), whose birthday it is, a better partner to his girlfriend Sophina (Melonie Diaz) and a better father to Tatiana (Ariana Neal), their four year-old daughter.