On screen women should be heroes and villains and navigate narratives that reassure us that the crap we go through isn't just us and we can aspire to be more than just a Bond girl. We need to gatecrash this boy's club that Hollywood is and encourage more females to make movies that tell our stories.
For studios, awards season is less about direct profit than it is a long-term exercise in branding. Awards help give the studio and actors a reputation for quality, allowing them to go on and sell bigger-budget films.
Teachers may choose to inspire, mentor, guide or coach their students in their own unique way. This is how a teacher becomes an artist.
Aptly for a story about the trials of staging a Broadway play, the camera work gives the story a very theatrical quality: the transition from scene to scene is handled by plunging a part of the screen into darkness while simultaneously spotlighting another.
If we take a quick look at this year's Golden Globe Award winners, the notion of a high-profile award winning film made for the mobile-first generation isn't as far-fetched as perhaps it first seems.
Arquette massively let herself down when she assumed that women of colour and LGBT+ women did not exist within the definition of 'woman', and she idea that multiple forms of discrimination act and can be seen in isolation from each other is one that is doing damage to these movements. But most of all, it is doing a disservice to the most marginalised people in our societies.
It's an industry where diversity means Denzel Washington. It's not news that a disproportionate number of directors are male, resulting in an inevitable plethora of egotistical, navel-gazing, cock-yanking films like Birdman, Boyhood and Whiplash, that feature women as little more than glorified set design.
As a Doctor who specialises in the analysis and the motivations of people - outside of work my favourite thing to do is to go to the cinema with my cousin (himself an award winning film maker) and then pouring over every detail of characters, story and plot lines.
Although I never came across the phrase "A-list" while at the agency, I began to think of the client list in terms of a "postal list". That is, ranking clients according to the postal mode used to deliver their scripts.
When I think of what I have given up: my freedom, my body, my youth, my sanity, my raw sexual magnitude and so on, I feel that I deserve at the very least to be thanked by those who have robbed me of these treasures.
They are simply the only award show that really matters. It is the first date A-listers put in their diary, the one awards where everyone turns up. Jack Nicholson will wear sunglasses and sit in the front row just to be the butt of the jokes.
Teacher alert: If you are worried about racist language in your classroom, or any attitudes towards "people of colour", take your students to see Selma. If not, find a reason to go anyway.
Whilst the rest of the UK went in their thousands to watch this year's Oscars' front-runner Birdman at the start of last month, I had to wait until last week before I could go see what all the hype was about.
We are currently in the middle of awards season fever. The endless stream of ceremonies, celebs on red carpets and acceptance speeches occupy our TV screens and keep us in high spirits through the winter months, as well as giving us plenty of talking points.
Directed by Alejandro Gonzalez Inarritu (Babel) and starring Michael Keaton; Birdman is a black comedy that tells the story of a man's battle with his ego, and his quest for acceptance and notoriety. It explores the fragility of one's mind, and the idea of 'celebrity' and Hollywood, and the significance that each play in today's fame-obsessed society.
This year's Golden Globe award winners underscore not only this broadening trend in content consumption, but also the fact that the future of entertainment is on consumers' terms and unconstrained by traditional broadcast models or cinematic paradigms.