Robert Peston is a Number Two. A quite brilliant Number Two, one of the best in the business. The sort of Number Two everyone wants by their side because he makes their job easier and them look better. But he's still a Number Two. Which is why his much-anticipated transfer to ITV will be a disaster.
Photo credit: Danny Clinch I first meet Glen Hansard by accident. We're both in the lobby of a private members club in Soho. I've arrived early whil...
This weekend, tens of thousands of people will be flocking to the cinema to see Still Alice with Julianne Moore portraying a woman with early onset Alzheimer's. They'll undoubtedly be able to identify and sympathise with what's happening on the screen because even if dementia is not directly affecting them...
I found that one of the most enjoyable and interesting tasks of an agent's assistant is to submit the selections in response to a casting call, mainly because the agent's suggestions often baffled me, but also because I enjoy seeing the very earliest stages of a production.
This year's Academy Awards ceremony, at four hours long, required a similar amount of endurance as some of the heavier dramas nominated. The difference is that whilst Neil Patrick-Harris' role as compère offered welcome comic relief, the winners of the 'big four' provided little.
On screen women should be heroes and villains and navigate narratives that reassure us that the crap we go through isn't just us and we can aspire to be more than just a Bond girl. We need to gatecrash this boy's club that Hollywood is and encourage more females to make movies that tell our stories.
For studios, awards season is less about direct profit than it is a long-term exercise in branding. Awards help give the studio and actors a reputation for quality, allowing them to go on and sell bigger-budget films.
Teachers may choose to inspire, mentor, guide or coach their students in their own unique way. This is how a teacher becomes an artist.
Aptly for a story about the trials of staging a Broadway play, the camera work gives the story a very theatrical quality: the transition from scene to scene is handled by plunging a part of the screen into darkness while simultaneously spotlighting another.
If we take a quick look at this year's Golden Globe Award winners, the notion of a high-profile award winning film made for the mobile-first generation isn't as far-fetched as perhaps it first seems.
Arquette massively let herself down when she assumed that women of colour and LGBT+ women did not exist within the definition of 'woman', and she idea that multiple forms of discrimination act and can be seen in isolation from each other is one that is doing damage to these movements. But most of all, it is doing a disservice to the most marginalised people in our societies.
It's an industry where diversity means Denzel Washington. It's not news that a disproportionate number of directors are male, resulting in an inevitable plethora of egotistical, navel-gazing, cock-yanking films like Birdman, Boyhood and Whiplash, that feature women as little more than glorified set design.
As a Doctor who specialises in the analysis and the motivations of people - outside of work my favourite thing to do is to go to the cinema with my cousin (himself an award winning film maker) and then pouring over every detail of characters, story and plot lines.
Although I never came across the phrase "A-list" while at the agency, I began to think of the client list in terms of a "postal list". That is, ranking clients according to the postal mode used to deliver their scripts.
When I think of what I have given up: my freedom, my body, my youth, my sanity, my raw sexual magnitude and so on, I feel that I deserve at the very least to be thanked by those who have robbed me of these treasures.
They are simply the only award show that really matters. It is the first date A-listers put in their diary, the one awards where everyone turns up. Jack Nicholson will wear sunglasses and sit in the front row just to be the butt of the jokes.