World Press Photo 2016: Powerful Photograph Of Refugees Crossing Razor-Wire Fence Scoops Top Prize

Refugee Image Wins World Press Photo Of The Year 2016
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Photographer Warren Richardson has won the 2016 World Press Photo of the Year competition.

Richardson’s image of refugees crossing the border from Serbia into Hungary through a razor-wire fence scooped the prestigious award.

Taken at night in August of last year, the black and white picture captures a man and his child who were part of the movement of people seeking to cross into Hungary before a secure border fence was completed.

Based in Budapest, Warren explained how he camped with the refugees for five days which led him to take his winning image.

“A group of about 200 people arrived, and they moved under the trees along the fence line. They sent women and children, then fathers and elderly men first" explained Richardson.

"I must have been with this crew for about five hours and we played cat and mouse with the police the whole night. I was exhausted by the time I took the picture. It was around three o’clock in the morning and you can’t use a flash while the police are trying to find these people, because I would just give them away. So I had to use the moonlight alone.” he told the World Press Photo of the Year officials.

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Winning Image by photographer Warren Richardson entitled 'Hope for a New Life'

World Press Photo of the Year 2016
(01 of21)
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© Sergio Tapiro - The Power of Nature
(02 of21)
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© Matjaz Krivic - Digging the Future
(03 of21)
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© Anuar Patjane Floriuk - Whale Whisperers
(04 of21)
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© Zhang Lei - Haze in China
(05 of21)
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© Rohan Kelly - Storm Front on Bondi Beach
(06 of21)
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© Paul Hansen - Under the Cover of Darkness
(07 of21)
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© John J. Kim - March Against Police Violence
(08 of21)
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© Christian Walgram - FIS World Championships
(09 of21)
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© Matic Zorman - Waiting to Register
(10 of21)
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© Mauricio Lima - Amazon's Munduruku Tribe
(11 of21)
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© Mauricio Lima - IS Fighter Treated at Kurdish Hospital
(12 of21)
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© Jonas Lindkvist - Neptun Synchro
(13 of21)
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© Chen Jie - Tianjin Explosion
(14 of21)
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© Greg Nelson - 2015 NCAA Tournament
(15 of21)
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© Niclas Hammarström - Gang-related Violence
(16 of21)
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© Zohreh Saberi - Into the Light
(17 of21)
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© Dario Mitidieri - Lost Family Portraits
(18 of21)
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© David Guttenfelder - North Korea Life in the Cult of Kim
(19 of21)
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© Corentin Fohlen – March Against Terrorism in Paris
(20 of21)
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© Adriane Ohanesian - The Forgotten Mountains of Sudan
(21 of21)
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© Kevin Frayer - China's Coal Addiction

Panel judges also commented on the winning entry by the Australian photographer ...

Francis Kohn, chair of the general jury, and photo director of Agence France-Presse, said:

Early on we looked at this photo and we knew it was an important one. It had such power because of its simplicity, especially the symbolism of the barbed wire. We thought it had almost everything in there to give a strong visual of what’s happening with the refugees. I think it’s a very classical photo, and at the same time it’s timeless. It portrays a situation, but the way it’s done is classic in the greatest sense of the word.

Other members of the jury also spoke about the winning photograph.

Huang Wen, director of new media development at Xinhua News Agency, said:

It’s a haunting image. You see the anxiousness and the tension in such a mood which is pretty different from those in-your-face images. It’s subtle, and shows the emotion and the real feeling from the deep heart of a father just trying to hand over his baby to the world he was longing to be in. This is really something.

Vaughn Wallace, deputy photo editor Al Jazeera America, said:

This is an incredible image from the refugee crisis of 2015. It’s incredibly powerful visually, but it’s also very nuanced. We’ve seen thousands of images of migrants in every form of their journey, but this image really caught my eye. It causes you to stop and consider the man’s face, consider the child. You see the sharpness of the barbed wire and the hands reaching out from the darkness. This isn’t the end of a journey, but the completion of one stage of a very long future. And so, for me, this had to be the photo of the year.

Lars Boering, managing director of the World Press Photo Foundation, said this year’s contest went smoothly despite the volume of work being considered:

This year we had more photographers and more entries than ever in our contest and we see this as a great support of the industry. As an organization, we are delighted by the outcome this independent jury produced, and ready to present an exhibition of wonderful and powerful imagery to a global audience that can trust what they see. We see that the photographers are as committed as we are to providing accurate and fair images on the world’s most important events and issues. We had a new code of ethics for the photo contest and a transparent and rigorous verification process. This resulted in many more entries being checked, but fewer problems than last year being found. In 10 days we will be releasing a detailed technical report reviewing the verification process, and we will then lead the public conversation on these issues. Today, we celebrate the incredible and important work of all our prizewinners, especially Warren Richardson’s photograph.

See all the other incredible entries below..

World Press Photo of the Year 2016
© Bulent Kilic - Broken Border, 13-15 June, Sanliurfa, Turkey 01(01 of108)
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© Bulent Kilic - Broken Border, 13-15 June, Sanliurfa, Turkey 02(02 of108)
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© Bulent Kilic - Broken Border, 13-15 June, Sanliurfa, Turkey 03(03 of108)
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© Bulent Kilic - Broken Border, 13-15 June, Sanliurfa, Turkey 04(04 of108)
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© Tim Laman - Tough Times for Orangutans 01(05 of108)
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© Tim Laman - Tough Times for Orangutans 02(06 of108)
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© Tim Laman - Tough Times for Orangutans 03(07 of108)
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© Tim Laman - Tough Times for Orangutans 04(08 of108)
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© Francesco Zizola - In the Same Boat 01(09 of108)
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© Francesco Zizola - In the Same Boat 02(10 of108)
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© Francesco Zizola - In the Same Boat 03(11 of108)
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© Francesco Zizola - In the Same Boat 04(12 of108)
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© Vladimir Pesnya - Vetluga's Hockey 01(13 of108)
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© Vladimir Pesnya - Vetluga's Hockey 02(14 of108)
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© Vladimir Pesnya - Vetluga's Hockey 03(15 of108)
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© Vladimir Pesnya - Vetluga's Hockey 04(16 of108)
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© Sara Naomi Lewkowicz - Emily and Kate and Eddie and Reid 04(17 of108)
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© Sebastián Liste - Citizen Journalism in Brazil’s Favelas 01(18 of108)
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© Sebastián Liste - Citizen Journalism in Brazil’s Favelas 02(19 of108)
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© Sebastián Liste - Citizen Journalism in Brazil’s Favelas 03(20 of108)
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© Sebastián Liste - Citizen Journalism in Brazil’s Favelas 04(21 of108)
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© Sergey Ponomarev - Reporting Europe's Refugee Crisis 01(22 of108)
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© Sergey Ponomarev - Reporting Europe's Refugee Crisis 02(23 of108)
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© Sergey Ponomarev - Reporting Europe's Refugee Crisis 03(24 of108)
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© Sergey Ponomarev - Reporting Europe's Refugee Crisis 04(25 of108)
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© Tara Todras-Whitehill - Ebola Survivors Football Club 01(26 of108)
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© Tara Todras-Whitehill - Ebola Survivors Football Club 02(27 of108)
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© Tara Todras-Whitehill - Ebola Survivors Football Club 03(28 of108)
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© Tara Todras-Whitehill - Ebola Survivors Football Club 04(29 of108)
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© Nancy Borowick - A Life in Death 06(30 of108)
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© Nancy Borowick - A Life in Death 07(31 of108)
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© Nancy Borowick - A Life in Death 08(32 of108)
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© Roberto Schmidt - Avalanche, 25-27 April, Everest Base Camp, Nepal 01(33 of108)
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© Roberto Schmidt - Avalanche, 25-27 April, Everest Base Camp, Nepal 02(34 of108)
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© Roberto Schmidt - Avalanche, 25-27 April, Everest Base Camp, Nepal 03(35 of108)
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© Roberto Schmidt - Avalanche, 25-27 April, Everest Base Camp, Nepal 04(36 of108)
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© Sameer Al-Doumy - Aftermath of Airstrikes in Syria 01(37 of108)
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© Sameer Al-Doumy - Aftermath of Airstrikes in Syria 02(38 of108)
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© Sameer Al-Doumy - Aftermath of Airstrikes in Syria 03(39 of108)
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© Sameer Al-Doumy - Aftermath of Airstrikes in Syria 04(40 of108)
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© Sara Naomi Lewkowicz - Emily and Kate and Eddie and Reid 01(41 of108)
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© Sara Naomi Lewkowicz - Emily and Kate and Eddie and Reid 02(42 of108)
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© Sara Naomi Lewkowicz - Emily and Kate and Eddie and Reid 03(43 of108)
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© Mary F(44 of108)
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© Mary F(45 of108)
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© Mary F(46 of108)
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© Daniel Berehulak - An Antarctic Advantage 02(47 of108)
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© Daniel Berehulak - An Antarctic Advantage 03(48 of108)
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© Daniel Berehulak - An Antarctic Advantage 01(49 of108)
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© Daniel Berehulak - An Antarctic Advantage 04(50 of108)
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© Daniel Berehulak - An Earthquake's Aftermath, Nepal 01(51 of108)
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© Daniel Berehulak - An Earthquake's Aftermath, Nepal 02(52 of108)
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© Daniel Berehulak - An Earthquake's Aftermath, Nepal 03(53 of108)
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© Daniel Berehulak - An Earthquake's Aftermath, Nepal 04(54 of108)
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© Nancy Borowick - A Life in Death - 01 FB Insta(55 of108)
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© Nancy Borowick - A Life in Death - 02 FB Insta(56 of108)
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© Mary F(57 of108)
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© Nancy Borowick - A Life in Death 01(58 of108)
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© Nancy Borowick - A Life in Death 02(59 of108)
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© Nancy Borowick - A Life in Death 03(60 of108)
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© Nancy Borowick - A Life in Death 04(61 of108)
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© Nancy Borowick - A Life in Death 05(62 of108)
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© Christian Ziegler - Chameleon Under Pressure 01(63 of108)
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© Christian Ziegler - Chameleon Under Pressure 02(64 of108)
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© Christian Ziegler - Chameleon Under Pressure 03(65 of108)
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© Christian Ziegler - Chameleon Under Pressure 04(66 of108)
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© Kevin Frayer - Bliss Dharma Assembly 01(67 of108)
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© Kevin Frayer - Bliss Dharma Assembly 02(68 of108)
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© Kevin Frayer - Bliss Dharma Assembly 03(69 of108)
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© Kevin Frayer - Bliss Dharma Assembly 04(70 of108)
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© Mário Cruz - Talibes, Modern-day Slaves 01(71 of108)
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© Mário Cruz - Talibes, Modern-day Slaves 02(72 of108)
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© Mário Cruz - Talibes, Modern-day Slaves 03(73 of108)
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© Mário Cruz - Talibes, Modern-day Slaves 04(74 of108)
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© Mary F(75 of108)
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© Mary F(76 of108)
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© Mary F(77 of108)
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© Mary F(78 of108)
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© David Guttenfelder - North Korea Life in the Cult of Kim 01(79 of108)
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© David Guttenfelder - North Korea Life in the Cult of Kim 02(80 of108)
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© David Guttenfelder - North Korea Life in the Cult of Kim 03(81 of108)
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© David Guttenfelder - North Korea Life in the Cult of Kim 04(82 of108)
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© David Guttenfelder - North Korea Life in the Cult of Kim 05(83 of108)
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© David Guttenfelder - North Korea Life in the Cult of Kim 06(84 of108)
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© David Guttenfelder - North Korea Life in the Cult of Kim 07(85 of108)
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© David Guttenfelder - North Korea Life in the Cult of Kim 08(86 of108)
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© Daniel Ochoa de Olza - La Maya Tradition 01(87 of108)
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© Daniel Ochoa de Olza - La Maya Tradition 02(88 of108)
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© Daniel Ochoa de Olza - La Maya Tradition 03(89 of108)
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© Daniel Ochoa de Olza - La Maya Tradition 04(90 of108)
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© David Guttenfelder - North Korea Life in the Cult of Kim - 02 FB Insta(91 of108)
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© David Guttenfelder - North Korea Life in the Cult of Kim - 03 FB Insta(92 of108)
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© Christian Bobst - The Gris-gris Wrestlers of Senegal 01(93 of108)
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© Christian Bobst - The Gris-gris Wrestlers of Senegal 02(94 of108)
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© Christian Bobst - The Gris-gris Wrestlers of Senegal 03(95 of108)
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© Christian Bobst - The Gris-gris Wrestlers of Senegal 04(96 of108)
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© Brent Stirton - Ivory Wars 01(97 of108)
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© Brent Stirton - Ivory Wars 02(98 of108)
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© Brent Stirton - Ivory Wars 03(99 of108)
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© Brent Stirton - Ivory Wars 04(100 of108)
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© Abd Doumany - Douma’s Children, Syria 04(101 of108)
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© Abd Doumany - Douma’s Children, Syria 01(102 of108)
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© Abd Doumany - Douma’s Children, Syria 03(103 of108)
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© Abd Doumany - Douma’s Children, Syria 02(104 of108)
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© Kazuma Obara - Exposure 02(105 of108)
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© Kazuma Obara - Exposure 03(106 of108)
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© Kazuma Obara - Exposure 04(107 of108)
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© Kazuma Obara - Exposure 01(108 of108)
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