After much hype and anticipation, the Red Nose Day special of ‘Love Actually’ aired as part of Comic Relief on Friday (24 March) night.
Picking up 14 years after the film, fans found out what became of some of their favourite characters, as creator Richard Curtis gathered together the likes of Hugh Grant, Keira Knightley, Martine McCutcheon, Bill Nighy and Liam Neeson for a mini-reunion...
First off, we found out who Juliet ended up staying with
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But while Mark was up to his old tricks again...
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He’d actually moved on with none other than Kate Moss
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At No. 10, David was back as prime minister after five years out of office, but it seemed some things never change...
And yes, he and Natalie are still together!
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Billy Mack had some sad news about his longtime manager Joe
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He was also still up to his womanising ways
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Rufus was no longer working at the jewellery store, and was having trouble adapting to his new job at Sainsbury’s
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14 years on, and there still seemed to be a communication barrier between Jamie and Aurélia
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Daniel couldn’t quite believe Sam is now 26 (as we all couldn’t)
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Proving you never really get over your first true love, Sam then revealed he’d reunited with Joanna in America
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The sequel ended on a poignant note, as David lamented the terrible state the world is currently in
Essentially everyone involved in this remake has since distanced themselves from it, including both Nicole Kidman and Matthew Broderick, while Frank Oz admitted he “f***ed up” with ‘The Stepford Wives’, which was marred by rumours of on-set fighting and several rewrites during production. (credit:Snap Stills/REX)
Planet Of The Apes (2001)(02 of12)
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This bizarre shot of an ape superimposed on the Lincoln Memorial probably tells you everything you need to know, really. (credit:20th Century Fox)
Swept Away (2002)(03 of12)
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Often billed as not just one of the worst remakes, but one of the worst films ever, ‘Swept Away’ is truly a low for both Madonna and her then-husband Guy Ritchie, scooping an arguably impressive (depending on how you look it) five Golden Raspberry Awards, including Worst Film, Worst Screen Couple and Worst Director. (credit:Screen Gems/Everett/REX)
Alfie (2004)(04 of12)
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Seriously, Jude Law. What *was* it all about? (credit:Nils Jorgensen/REX)
Annie (2014)(05 of12)
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Despite an all-star cast and the backing of Jay-Z and Will Smith, ‘Annie’ was savaged by critics, with Entertainment Weekly branding the soundtrack an ‘AutoTuned disaster’, although Quvenzhané Wallis was largely praised for her performance. (credit:Columbia Pictures)
The Pink Panther (2006)(06 of12)
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This remake received mostly negative reviews upon its release and was deemed a rare misfire for Steve Martin, but that didn’t stop a sequel coming out - which was, of course, panned even more. (credit:Col Pics/Everett/REX)
The Wicker Man (2006)(07 of12)
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While the original film is hailed as one of the scariest horrors ever, the Nicolas Cage remake is more commonly associated with the comedy genre… though we’re not sure that’s quite what the filmmakers had in mind. (credit:Snap Stills/Rex)
A Nightmare On Elm Street (2010)(08 of12)
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A remake so irrelevant we didn’t actually realise it existed… most reviews of ‘A Nightmare On Elm Street’ praised the newly-updated special effects, but claimed the remake couldn’t live up to its predecessor from the 1980s. (credit:Moviestore/Rex)
The Day The Earth Stood Still (2008)(09 of12)
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Heavily criticised for relying on style over substance, reviewers praised the special effects of the film, but felt that without much of a story to hold things together, it wasn’t a worthy successor to the 1950s original. (credit:Snap Stills/Rex)
House Of Wax (2005)(10 of12)
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A film best known for the ‘See Paris Die!’ campaign that preceded its releasing, referring to its star, Paris Hilton. Well, at least that was a distraction from the film itself... (credit:Warner Br/Everett/REX)
The Karate Kid (2010)(11 of12)
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When even the presence of God-amongst-men Jaden Smith can’t save your film, you know you’re doomed. (credit:Col Pics/Everett/REX)
Psycho (1998)(12 of12)
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Even director Gus Van Sant admitted, shortly after Psycho’s release, that the shot-for-shot remake of Alfred Hitchcock’s classic had been an “experiment”, which proved that no one can copy a film in exactly the same way as the original. (credit:Universal/Everett/REX)